Firme di xilografi seicenteschi nelle matrici lignee della Galleria Estense…

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Campo DC	Valore
dc.identifier	ECF_article_1070
dc.title	Firme di xilografi seicenteschi nelle matrici lignee della Galleria Estense di Modena
dc.contributor.author	Travisonni Chiara
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2017/1/firme-di-xilografi-seicenteschi-nelle-matrici-lign/
dc.description.abstract	Though ancient literary sources has usually revealed a scarce interest for woodcuts, the study of writings and signatures in the woodblocks of the Galleria Estense in Modena proves that woodcutters did not always remain at the borders of art history. This is true both for the Venetian production of the first half of the 16th century and for the woodcutters linked to the Accademia Clementina in the Bologna area. Several 17th century woodblocks produced at least in part in Emilia-Romagna and mostly created for large-scale printing, show writings and signatures that can be led back to woodcutters whose specific identity is not easy to discover. This practice was probably more due to commercial reasons than to a possible high reputation that woodcutters had of their work.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 26 \| Dicembre 2017
dc.issued	2017-12-20
dc.dateAccepted	2017-09-21
dc.dateSubmitted	2017-07-17
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2385-2720/VA-26-17-12
dc.peer-review	yes
dc.subject	Soliani
dc.subject	Soliani
dc.subject	Woodblocks
dc.subject	Woodblocks
dc.subject	Woodcut
dc.subject	Woodcut

Articolo
open access peer reviewed

Firme di xilografi seicenteschi nelle matrici lignee della Galleria Estense di Modena

Chiara Travisonni Università degli Studi di Parma, Italia

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abstract

Though ancient literary sources has usually revealed a scarce interest for woodcuts, the study of writings and signatures in the woodblocks of the Galleria Estense in Modena proves that woodcutters did not always remain at the borders of art history. This is true both for the Venetian production of the first half of the 16th century and for the woodcutters linked to the Accademia Clementina in the Bologna area. Several 17th century woodblocks produced at least in part in Emilia-Romagna and mostly created for large-scale printing, show writings and signatures that can be led back to woodcutters whose specific identity is not easy to discover. This practice was probably more due to commercial reasons than to a possible high reputation that woodcutters had of their work.

Pubblicato

20 Dicembre 2017

Accettato

21 Settembre 2017

Presentato

17 Luglio 2017

Lingua

Keywords: Woodcut • Soliani • Woodblocks

permalink http://doi.org/10.14277/2385-2720/VA-26-17-12

Copyright: © 2017 Chiara Travisonni. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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