Rivista | Venezia Arti
Fascicolo monografico | 26 | 2017
Articolo | La firma d’artista nella Francia romanica
La firma d’artista nella Francia romanica
Problemi, forme, funzioni
Abstract
This paper aims to discuss some issues related to artists’ signatures during the XIth and XIIth centuries, focusing on a corpus of French inscriptions, broadly neglected in previous works. After a short introduction of the corpus, the second part of the article undertakes to evaluate the writing skills of those who executed these inscriptions. The last part deals with the value of theses signatures, traditionally considered as the artist’s claim of authorship of a work, in order to obtain recognition of his talent and status. However, since the analysis of their exhibition contexts shows that they were often invisible to a large public, and that they were concentrated in symbolic spaces of the church, this study suggests their interpretation from a devotional and eschatological perspective.
Presentato: 13 Luglio 2017 | Pubblicato 20 Dicembre 2017 | Lingua: it
Keywords Signature • Literacy • Medieval Epigraphy • Romanesque (France) • Medieval Artist
Copyright © 2017 Emilie Mineo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2385-2720/VA-26-17-3
