Border hacking: una conversione artistica dei confini nazionali nella società…

« articolo precedente | articolo successivo »

Campo DC	Valore
dc.identifier	ECF_article_3457
dc.title	Border hacking: una conversione artistica dei confini nazionali nella società delle reti
dc.contributor.author	Berti Paolo
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2020/1/border-hacking-una-conversione-artistica-dei-confi/
dc.description.abstract	Through the category of ‘border hack’ (proposed by Rita Raley) and the analysis of three meaningful artworks (Transborder Immigrant Tool by Electronic Disturbance Theatre 2.0 and b.a.n.g. lab, BorderXing Guide by Heath Bunting and Shadows from Another Place by Paula Levine), the aim of this article is to investigate the aesthetic-political practices around the notion of transnational border. These are works of a performative nature and are linked to the networked environment of the Internet. They exemplify a brand-new season of New Media Art, in which the electromagnetic armamentarium of satellite positioning systems and mobile devices takes on a tactical dimension of confrontation with the equally technological governmental-military strategies of border surveillance and identity control.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 29 \| Dicembre 2020
dc.issued	2020-12-11
dc.dateAccepted	2020-09-09
dc.dateSubmitted	2020-07-20
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/VA/2385-2720/2020/01/010
dc.peer-review	yes
dc.subject	Electronic disobedience
dc.subject	Electronic disobedience
dc.subject	Hybrid space
dc.subject	Hybrid space
dc.subject	New media art
dc.subject	New media art
dc.subject	Security
dc.subject	Security
dc.subject	Tactical media
dc.subject	Tactical media

Articolo
open access peer reviewed

Border hacking: una conversione artistica dei confini nazionali nella società delle reti

Paolo Berti Sapienza Università di Roma, Italia

VIEW PDF DOWNLOAD PDF

abstract

Through the category of ‘border hack’ (proposed by Rita Raley) and the analysis of three meaningful artworks (Transborder Immigrant Tool by Electronic Disturbance Theatre 2.0 and b.a.n.g. lab, BorderXing Guide by Heath Bunting and Shadows from Another Place by Paula Levine), the aim of this article is to investigate the aesthetic-political practices around the notion of transnational border. These are works of a performative nature and are linked to the networked environment of the Internet. They exemplify a brand-new season of New Media Art, in which the electromagnetic armamentarium of satellite positioning systems and mobile devices takes on a tactical dimension of confrontation with the equally technological governmental-military strategies of border surveillance and identity control.

Pubblicato

11 Dicembre 2020

Accettato

09 Settembre 2020

Presentato

20 Luglio 2020

Lingua

Keywords: Tactical media • Security • Electronic disobedience • New media art • Hybrid space

permalink http://doi.org/10.30687/VA/2385-2720/2020/01/010

Copyright: © 2020 Paolo Berti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Citazioni verso questo capitolo

How to cite