Rivista | Venezia Arti
Fascicolo monografico | 32 | 2023
Articolo | Identità in (tras)formazione: Marina il monaco, ovvero storia di una Santa ‘mascherata’ e del suo culto a Venezia tra Medioevo ed Età Moderna
Identità in (tras)formazione: Marina il monaco, ovvero storia di una Santa ‘mascherata’ e del suo culto a Venezia tra Medioevo ed Età Moderna
Abstract
The article aims to provide a brief historical background of the church of Santa Marina in Venice. The church was originally dedicated to San Liberale but underwent changes in both dedication and layout after the arrival of the sacred remains of the virgin monk in the lagoon. The text briefly outlines the hagiographic story of Santa Marina, the circumstances of the translatio of her body to Venice, and how her cult became part of the devotional, cultural, and civic identity of the city. The final section aims to integrate existing knowledge of the church’s layout transformation from the Middle Ages to the Modern Age with new data from unpublished sources. The objective is to reconstruct the interior of the sacred building that no longer exists, but whose external appearance can still be confirmed visually through Jacopo de’ Barbari’s view.
Presentato: 15 Settembre 2023 | Accettato: 20 Ottobre 2023 | Pubblicato 20 Dicembre 2023 | Lingua: it
Keywords Venice • Medieval churches • Tombs • Liturgical furnishings • Sacred space • Medieval oriental cults • Saint marina
Copyright © 2023 Giulia Anna Bianca Bordi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01/002
