Metamorfosi
open access | peer reviewedKeywords Battle of Lepanto • Rooster • Sacred space • Modernism • Digital Collage • Contemporary Art • Remediation • Humanist imagery • Olga Tobreluts • Global Art • War • Body • Trauma • Made in Italy • New Renaissance • Claudio Tolomei • Transnational Art • Germano Celant • Zoomorphism • Romanitas • Neoacademism • Venice • Masson • Waterplays • Guggenheim Museum • Picasso • Biomorphic Abstraction • Jacopo Foscarini • Animality • Arte povera • Grotesque • Viani • Monster • Metamorphosis • Birolli • Fountains • Ornament • Snake • Forties • Parody • Arch • Basilisk • The Italian Metamorphosis 1943-1968 • Videoart • Tombs • Zadar • Liturgical furnishings • Postwar Print Art • Arp • Ecfrasis • Medieval oriental cults • Saint marina • Annibal Caro • Armour • South Asian Art • Venetian self-representation • Renaissance hydraulic engineering • Facial Mutilations • Medieval churches • Pakistani Art
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua en, EN, it
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