Metamorfosi
open access | peer reviewedKeywords Venice • Ornament • Zadar • Arch • Claudio Tolomei • Arp • Saint marina • Facial Mutilations • War • Battle of Lepanto • The Italian Metamorphosis 1943-1968 • South Asian Art • Modernism • New Renaissance • Snake • Medieval oriental cults • Romanitas • Monster • Trauma • Parody • Body • Metamorphosis • Global Art • Grotesque • Zoomorphism • Pakistani Art • Animality • Germano Celant • Jacopo Foscarini • Liturgical furnishings • Neoacademism • Renaissance hydraulic engineering • Sacred space • Tombs • Videoart • Birolli • Biomorphic Abstraction • Armour • Made in Italy • Transnational Art • Contemporary Art • Fountains • Ecfrasis • Basilisk • Arte povera • Masson • Venetian self-representation • Forties • Remediation • Viani • Waterplays • Guggenheim Museum • Digital Collage • Medieval churches • Annibal Caro • Rooster • Humanist imagery • Picasso • Postwar Print Art • Olga Tobreluts
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua EN, en, it
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