Metamorfosi
open access | peer reviewedKeywords Parody • Waterplays • Birolli • Fountains • Germano Celant • Metamorphosis • Remediation • Postwar Print Art • Venetian self-representation • Arte povera • Body • Liturgical furnishings • Olga Tobreluts • War • Rooster • Global Art • Masson • Medieval oriental cults • Ornament • Guggenheim Museum • Jacopo Foscarini • Armour • Snake • Transnational Art • Biomorphic Abstraction • Ecfrasis • Digital Collage • New Renaissance • Medieval churches • Sacred space • Humanist imagery • Modernism • Arch • Arp • Battle of Lepanto • Claudio Tolomei • Venice • Viani • Pakistani Art • Saint marina • Monster • Facial Mutilations • Basilisk • Made in Italy • The Italian Metamorphosis 1943-1968 • Annibal Caro • Zadar • Contemporary Art • Trauma • Tombs • Neoacademism • Grotesque • Picasso • Forties • Videoart • Romanitas • Renaissance hydraulic engineering • South Asian Art • Zoomorphism • Animality
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua EN, it, en
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