Metamorfosi
open access | peer reviewedKeywords Romanitas • Biomorphic Abstraction • Ecfrasis • Forties • Arch • Snake • Masson • Metamorphosis • Birolli • Claudio Tolomei • Digital Collage • Body • Ornament • Pakistani Art • Guggenheim Museum • Videoart • Monster • Postwar Print Art • War • Arte povera • Tombs • New Renaissance • Venice • Venetian self-representation • Waterplays • Annibal Caro • Modernism • Fountains • Saint marina • Trauma • Global Art • Zoomorphism • Arp • Facial Mutilations • Medieval churches • Made in Italy • Humanist imagery • Viani • Remediation • Zadar • Parody • Animality • Germano Celant • Basilisk • Picasso • Renaissance hydraulic engineering • Grotesque • The Italian Metamorphosis 1943-1968 • Neoacademism • Rooster • Battle of Lepanto • Jacopo Foscarini • Medieval oriental cults • Contemporary Art • Sacred space • Olga Tobreluts • Liturgical furnishings • Transnational Art • Armour • South Asian Art
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua en, EN, it
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