Metamorfosi
open access | peer reviewedKeywords Modernism • Biomorphic Abstraction • New Renaissance • Zadar • Waterplays • Viani • Jacopo Foscarini • Facial Mutilations • War • Ornament • Romanitas • Saint marina • Claudio Tolomei • Olga Tobreluts • Rooster • Metamorphosis • Armour • Neoacademism • Postwar Print Art • Zoomorphism • Pakistani Art • Body • Medieval oriental cults • Liturgical furnishings • Digital Collage • Contemporary Art • Renaissance hydraulic engineering • Germano Celant • Parody • Venetian self-representation • Animality • Forties • Humanist imagery • Trauma • South Asian Art • Annibal Caro • Basilisk • Birolli • Global Art • Arp • Ecfrasis • Fountains • Grotesque • Tombs • Guggenheim Museum • Venice • Made in Italy • Transnational Art • Battle of Lepanto • Medieval churches • Monster • Snake • Masson • Picasso • Remediation • Sacred space • Videoart • Arte povera • Arch • The Italian Metamorphosis 1943-1968
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua en, it, EN
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