Metamorfosi
open access | peer reviewedKeywords Masson • Picasso • Liturgical furnishings • Remediation • Contemporary Art • Guggenheim Museum • Olga Tobreluts • Medieval churches • New Renaissance • Digital Collage • Medieval oriental cults • Jacopo Foscarini • Postwar Print Art • Saint marina • Grotesque • Videoart • Arch • Forties • Metamorphosis • Facial Mutilations • Neoacademism • Tombs • Pakistani Art • Basilisk • Venice • Viani • Trauma • Annibal Caro • Sacred space • Made in Italy • Ecfrasis • Monster • Zoomorphism • Arp • Ornament • The Italian Metamorphosis 1943-1968 • Transnational Art • Biomorphic Abstraction • Venetian self-representation • War • Animality • Parody • Fountains • Global Art • Waterplays • Arte povera • Humanist imagery • Germano Celant • Birolli • Armour • Snake • South Asian Art • Rooster • Battle of Lepanto • Modernism • Zadar • Body • Claudio Tolomei • Renaissance hydraulic engineering • Romanitas
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua EN, it, en
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