Metamorfosi
open access | peer reviewedKeywords Animality • Zoomorphism • Battle of Lepanto • The Italian Metamorphosis 1943-1968 • Picasso • Venetian self-representation • Venice • Guggenheim Museum • Viani • Medieval churches • Ornament • Contemporary Art • Rooster • Saint marina • Annibal Caro • Ecfrasis • Neoacademism • Metamorphosis • Claudio Tolomei • Birolli • Grotesque • Digital Collage • Transnational Art • Pakistani Art • South Asian Art • Germano Celant • Arch • Humanist imagery • Masson • New Renaissance • Trauma • Videoart • Liturgical furnishings • Monster • Parody • Remediation • Waterplays • Zadar • Modernism • Arte povera • Romanitas • Basilisk • Jacopo Foscarini • Global Art • Body • Fountains • Snake • Forties • Biomorphic Abstraction • Made in Italy • Postwar Print Art • War • Facial Mutilations • Tombs • Olga Tobreluts • Sacred space • Medieval oriental cults • Armour • Arp • Renaissance hydraulic engineering
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua en, EN, it
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