Metamorfosi
open access | peer reviewedKeywords Masson • Parody • Videoart • Grotesque • Romanitas • Body • Zoomorphism • Ornament • Annibal Caro • Liturgical furnishings • Global Art • Ecfrasis • Tombs • Transnational Art • Humanist imagery • Venetian self-representation • Digital Collage • Made in Italy • Zadar • Remediation • Arp • Biomorphic Abstraction • Olga Tobreluts • Contemporary Art • Pakistani Art • Renaissance hydraulic engineering • Armour • South Asian Art • Facial Mutilations • Arte povera • Fountains • New Renaissance • Monster • War • Modernism • Venice • Saint marina • Jacopo Foscarini • Forties • The Italian Metamorphosis 1943-1968 • Battle of Lepanto • Animality • Claudio Tolomei • Waterplays • Picasso • Viani • Rooster • Birolli • Metamorphosis • Guggenheim Museum • Germano Celant • Trauma • Medieval oriental cults • Basilisk • Arch • Postwar Print Art • Snake • Medieval churches • Neoacademism • Sacred space
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua it, EN, en
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