Metamorphosis
open access | peer reviewedKeywords Armour • Snake • Ecfrasis • Facial Mutilations • Modernism • Romanitas • Humanist imagery • Sacred space • Medieval oriental cults • Venetian self-representation • Neoacademism • Remediation • Transnational Art • Arp • Global Art • Zoomorphism • Basilisk • Postwar Print Art • Contemporary Art • Liturgical furnishings • Pakistani Art • Videoart • Tombs • Picasso • Metamorphosis • Waterplays • Arch • Renaissance hydraulic engineering • Venice • Claudio Tolomei • Saint marina • Grotesque • Masson • The Italian Metamorphosis 1943-1968 • Guggenheim Museum • Battle of Lepanto • Biomorphic Abstraction • Digital Collage • Ornament • Parody • Animality • Fountains • Arte povera • Body • Olga Tobreluts • South Asian Art • Jacopo Foscarini • Monster • New Renaissance • Rooster • Forties • Annibal Caro • Viani • War • Zadar • Trauma • Medieval churches • Birolli • Made in Italy • Germano Celant
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language en, EN, it
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