Metamorphosis
open access | peer reviewedKeywords Parody • Waterplays • Birolli • Fountains • Germano Celant • Metamorphosis • Remediation • Postwar Print Art • Venetian self-representation • Arte povera • Body • Liturgical furnishings • Olga Tobreluts • War • Rooster • Global Art • Masson • Medieval oriental cults • Ornament • Guggenheim Museum • Jacopo Foscarini • Armour • Snake • Transnational Art • Biomorphic Abstraction • Ecfrasis • Digital Collage • New Renaissance • Medieval churches • Sacred space • Humanist imagery • Modernism • Arch • Arp • Battle of Lepanto • Claudio Tolomei • Venice • Viani • Pakistani Art • Saint marina • Monster • Facial Mutilations • Basilisk • Made in Italy • The Italian Metamorphosis 1943-1968 • Annibal Caro • Zadar • Contemporary Art • Trauma • Tombs • Neoacademism • Grotesque • Picasso • Forties • Videoart • Romanitas • Renaissance hydraulic engineering • South Asian Art • Zoomorphism • Animality
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language EN, it, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.