Metamorphosis
open access | peer reviewedKeywords Facial Mutilations • Germano Celant • Humanist imagery • Biomorphic Abstraction • New Renaissance • Saint marina • Zoomorphism • Sacred space • Contemporary Art • Arp • Olga Tobreluts • Annibal Caro • Snake • War • Parody • Neoacademism • Armour • Jacopo Foscarini • Waterplays • South Asian Art • Medieval churches • Modernism • Ecfrasis • Tombs • Venice • Body • Liturgical furnishings • Guggenheim Museum • Viani • Birolli • Global Art • Ornament • Claudio Tolomei • Masson • Monster • Renaissance hydraulic engineering • Medieval oriental cults • Videoart • Remediation • Basilisk • Fountains • Pakistani Art • Grotesque • Arch • Trauma • Battle of Lepanto • Metamorphosis • Forties • Postwar Print Art • Arte povera • Romanitas • Rooster • Animality • Venetian self-representation • Made in Italy • The Italian Metamorphosis 1943-1968 • Digital Collage • Zadar • Picasso • Transnational Art
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language it, en, EN
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