Metamorphosis
open access | peer reviewedKeywords Zadar • Made in Italy • Forties • Guggenheim Museum • New Renaissance • Liturgical furnishings • Medieval churches • Monster • Postwar Print Art • Masson • Renaissance hydraulic engineering • Basilisk • Arte povera • Venetian self-representation • Transnational Art • Videoart • Pakistani Art • Rooster • Arp • Annibal Caro • Ornament • Trauma • Neoacademism • Parody • Viani • Metamorphosis • Germano Celant • Arch • Digital Collage • Modernism • Fountains • The Italian Metamorphosis 1943-1968 • Birolli • Saint marina • Grotesque • Zoomorphism • South Asian Art • Venice • Body • Battle of Lepanto • Picasso • Facial Mutilations • Humanist imagery • Remediation • Jacopo Foscarini • Animality • Global Art • Olga Tobreluts • War • Snake • Medieval oriental cults • Waterplays • Sacred space • Biomorphic Abstraction • Claudio Tolomei • Romanitas • Ecfrasis • Armour • Contemporary Art • Tombs
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language it, en, EN
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