Metamorphosis
open access | peer reviewedKeywords Masson • Saint marina • Videoart • Humanist imagery • Modernism • Facial Mutilations • Arte povera • Venetian self-representation • Transnational Art • Arch • Pakistani Art • Parody • Claudio Tolomei • Animality • Arp • Monster • Forties • Global Art • Made in Italy • The Italian Metamorphosis 1943-1968 • Liturgical furnishings • Guggenheim Museum • Metamorphosis • Remediation • South Asian Art • Basilisk • Rooster • Jacopo Foscarini • Ornament • Birolli • Neoacademism • Picasso • Postwar Print Art • Snake • Fountains • Medieval churches • New Renaissance • Zoomorphism • Olga Tobreluts • Viani • Zadar • Contemporary Art • Medieval oriental cults • War • Body • Sacred space • Grotesque • Digital Collage • Ecfrasis • Renaissance hydraulic engineering • Venice • Annibal Caro • Armour • Romanitas • Battle of Lepanto • Tombs • Germano Celant • Biomorphic Abstraction • Trauma • Waterplays
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language EN, en, it
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