Ma come parlano questi?

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DC Field	Value
dc.identifier	ECF_chapter_162
dc.contributor.author	Greselin Federico
dc.title	Ma come parlano questi?. Lingua e verosimiglianza nel cinese parlato al cinema (ma non solo)
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	In the last decades, a large amount of Western movies and other genres of visual fiction, from popular productions like TV series to authorial works like operas, refer to China and the Chinese through the insertion of dialogues in Chinese, so that in some cases a proper multilingual context is represented. On the other side, Chinese speaking cinema also deals with characters speaking in languages that are definitely not-Mandarin, from English to Japanese to Chinese dialects. The different approaches to problems that are closely related both to the audience’s cultural background and linguistic competence and to the authors’ yearning for verisimilitude and realism are examined through a detailed survey of emblematic cases.
dc.relation.ispartof	Sinica venetiana
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2015-11-01
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-042-6/ma-come-parlano-questi/
dc.identifier.doi	10.14277/--/SV-2-74
dc.identifier.issn	2610-9654
dc.identifier.eissn	2610-9042
dc.identifier.isbn	978-88-6969-042-6
dc.identifier.eisbn	978-88-6969-040-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Chinese language
dc.subject	Chinese language
dc.subject	Cinema and other media
dc.subject	Cinema and other media
dc.subject	Fictional plausibility
dc.subject	Fictional plausibility

Chapter
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Ma come parlano questi?

Lingua e verosimiglianza nel cinese parlato al cinema (ma non solo)

Federico Greselin Università Ca’ Foscari Venezia, Italia

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abstract

In the last decades, a large amount of Western movies and other genres of visual fiction, from popular productions like TV series to authorial works like operas, refer to China and the Chinese through the insertion of dialogues in Chinese, so that in some cases a proper multilingual context is represented. On the other side, Chinese speaking cinema also deals with characters speaking in languages that are definitely not-Mandarin, from English to Japanese to Chinese dialects. The different approaches to problems that are closely related both to the audience’s cultural background and linguistic competence and to the authors’ yearning for verisimilitude and realism are examined through a detailed survey of emblematic cases.

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ISBN (PRINT)

978-88-6969-042-6

ISBN (EBOOK)

978-88-6969-040-2

Keywords: Chinese language • Cinema and other media • Fictional plausibility

permalink: http://doi.org/10.14277/--/SV-2-74

Copyright: © 2015 Federico Greselin. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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