Series |
Sinica venetiana
Volume 3 | Edited book | Linking Ancient and Contemporary
Abstract
Linking Ancient and Contemporary: Continuities and Discontinuities in Chinese Literature is a collection of essays which stems from a project of cooperation between the Department of Asian and African Studies of Ca’ Foscari University of Venice and the Department of Chinese Language and Literature of Peking University. The first conference was held in Venice on 21-22 March 2013, the second will be held in Peking University on 14-16 October 2016. The volume reflects the desire to compare and integrate different approaches to Chinese literature, showing how, in different epochs, traditional intellectual and literary values have been repeatedly criticized and rejected, yet have often resurfaced in many different ways and have been reinterpreted.
Keywords Comparative literature • Lyricism • Feng Zhi • Chuanqi • Wenxin diaolong • Structure auxiliary • Goethe • Qing dynasty drama • ‘di’ (‘de’) • Didactic conception of literature • Miscellaneous drama • Jests • Mountains and Rivers Fall Asleep • Huabu • 18th CPC Congress • Yingying zhuan • Zhongshuo • Phonetic • Grammar • Modern Chinese literary theory • Jestbook • World literature • Literary Self-Consciousness • Wenzhongzi • Empathy • Jiang Shiquan • Gu wei jin yong • Bai Shouyi • Introduction to Literary Theory • Jiao Hong ji • Tao Yuanming • Historical consciousness of the lyrical • Pre-modern Chinese fiction • End of Spring in Jiangnan • Humorous anecdotes • 12th CPC Congress • Renmian taohua • Neo-Confucianism • Wang Tong • Sima Qian • Post-Modernity • Honglou meng • Dystopia • Six Dynasties • Golden Rule • The Dream of the Red Chamber • Emily Dickinson • Chinese Contemporary Literature • The Story of Jiaoniang and Feihong • Golden Tower Master • Lunyu • Xiyou ji • Chunjin jiangnan • Chinese Political Discourse • Honma Hisao • Wei • Metaphorical Language • Outlaws on the Marsh • Shouhuo • Classical Chinese theater • Utopia • Shuihu zhuan • Belated Mellow Period • Peach Blossom-beauty • Chinese poetry • Ernest Fenollosa • Chinese modernity • Liu Xie • The Literary Mind and the Carving of Dragons • Poetic taste • Jinlouzi • Doctrines of the Middle Way • Confucianism • Shu • Death • Shanhe ru meng • ‘Literariness’ • Chineseness • The Water Margin • Popular literature • The Journey to the West • Ban Gu • ‘Spirit of the times’ • Chinese Written Character • Analects • Taste • Consideration of others • Song Yuan • Yan Lianke • The Story of Yingying • Gérard Genette • ‘zhe’
Permalink http://doi.org/10.14277/978-88-6969-095-2 | e-ISBN 978-88-6969-095-2 | ISBN (PRINT) 978-88-6969-098-3 | Published Sept. 29, 2016 | Language it
Copyright © 2016 Tiziana Lippiello. Tiziana Lippiello, Chen Yuehong 陈跃红, Maddalena Barenghi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Introduction
Part 1 Pre-Modern and Modern Literature
Part 2 Contemporary Literature
Part 3 Poetry and Theatre
Part 4 Language and Political Discourse
Biographies