Series | Diaspore
Review | Symbologies and Writings in Transit
Chapter | Paz, Duchamp, Peggy Guggenheim: pluralità di linguaggi e archivio
Paz, Duchamp, Peggy Guggenheim: pluralità di linguaggi e archivio
Abstract
Marcel Duchamp’s aesthetics interested Octavio Paz’s theoretical reflections. His volume, Marcel Duchamp o el Castillo de la Pureza, published for the first time in 1968, and expanded in 1973 with a new title, Apariencia desnuda, represents one of the most incisive criticism studies to Duchamp by someone that does not belong to art history and criticism. Paz’s originality consists in reading Duchamp under a poetical and philosophical perspective, creating a sort of unique ‘ekphrastic autobiography’.
Language: it
Keywords Archives • Paz • Contemporary aesthetics • Artistic autobiography • Duchamp
Copyright © 2016 Biagio D’Angelo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-112-6/DSP-6-10
