Sulla storia della fotografia attorno al 1868

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DC Field	Value
dc.identifier	ECF_chapter_2345
dc.contributor.author	Montanaro Carlo
dc.title	Sulla storia della fotografia attorno al 1868
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Photography in Venice around 1868 was going through a period of great vitality. Mapping the main photographic studios, located mainly around St. Mark Square, includes indeed about a hundred operators who create images in various formats, from the large ‘imperial’ to the small ‘visiting cards’ with all the suggestions allowed by the existing techniques, from monochrome imbibitions to printing on pre-colored paper to the romantic ‘moonlight’ effect. From Antonio Perini to Carlo Ponti to Carlo Naya, these professionals trace a new path to the creation of images, inventing new tools and leaving evidence of fascinating views of the city of Venice, such as the one that portrays the R. Scuola Superiore di Commercio.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2018-12-14
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-295-6/sulla-storia-della-fotografia-attorno-al-1868/
dc.identifier.doi	10.30687/978-88-6969-294-9/006
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-295-6
dc.identifier.eisbn	978-88-6969-294-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Antonio Perini
dc.subject	Antonio Perini
dc.subject	Carlo Naya
dc.subject	Carlo Naya
dc.subject	Carlo Ponti
dc.subject	Carlo Ponti
dc.subject	Ferdinando Ongania
dc.subject	Ferdinando Ongania
dc.subject	Palazzo Foscari
dc.subject	Palazzo Foscari
dc.subject	Photography
dc.subject	Photography
dc.subject	R
dc.subject	R
dc.subject	Scuola Superiore di Commercio
dc.subject	Scuola Superiore di Commercio
dc.subject	Venice
dc.subject	Venice

Chapter
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Sulla storia della fotografia attorno al 1868

Carlo Montanaro Archivio Montanaro

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abstract

Photography in Venice around 1868 was going through a period of great vitality. Mapping the main photographic studios, located mainly around St. Mark Square, includes indeed about a hundred operators who create images in various formats, from the large ‘imperial’ to the small ‘visiting cards’ with all the suggestions allowed by the existing techniques, from monochrome imbibitions to printing on pre-colored paper to the romantic ‘moonlight’ effect. From Antonio Perini to Carlo Ponti to Carlo Naya, these professionals trace a new path to the creation of images, inventing new tools and leaving evidence of fascinating views of the city of Venice, such as the one that portrays the R. Scuola Superiore di Commercio.

Published

Dec. 14, 2018

Language

ISBN (PRINT)

978-88-6969-295-6

ISBN (EBOOK)

978-88-6969-294-9

Keywords: Venice • R • Scuola Superiore di Commercio • Ferdinando Ongania • Photography • Carlo Naya • Palazzo Foscari • Antonio Perini • Carlo Ponti

permalink: http://doi.org/10.30687/978-88-6969-294-9/006

Copyright: © 2018 Carlo Montanaro. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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