Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords El perro del hortelanoTheatreFilm adaptationTheater-cinema relationsCinematic spaceRafael AlbertiSpanish theater of Golden CenturyReception of the Golden Age Theatre HeritageCinematographic adaptionShakespeareFranco’s regimeDon JuanSpainReceptionPilar MiróEl desdén con el desdénFilm versionLope de VegaNational identityAgustín MoretoPropagandaFilmic rewritingSpanish ComediaTheories on adaptationTheatrical spaceEl Alcalde de ZalameaGolden Age Drama StudiesFrancoismMonologueDialectic high vs lowPedro Calderón de la BarcaMenos es másSpanishnessArgentine cinemaReception of the Golden Age theatre heritageCalderónCinemaNazismMaría Teresa LeónPortugalLa vida es sueñoAdaptationSpanish cinemaScreen adaptationFrancisco FrancoTheatre in cinemaHispanismSiglo de OroCensorshipCommunismGolden Age DramaSpanish Golden Age theaterNaplesAudienceDictatorship

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es