Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords CommunismNazismMaría Teresa LeónSiglo de OroSpainReception of the Golden Age theatre heritageTheatre in cinemaAdaptationFrancoismAgustín MoretoSpanish ComediaTheories on adaptationEl desdén con el desdénFranco’s regimeDictatorshipMenos es másScreen adaptationSpanish Golden Age theaterSpanish cinemaPortugalGolden Age Drama StudiesPilar MiróCinematic spaceHispanismTheatrical spaceDon JuanCalderónGolden Age DramaSpanishnessRafael AlbertiFrancisco FrancoDialectic high vs lowLope de VegaArgentine cinemaMonologueLa vida es sueñoSpanish theater of Golden CenturyNaplesEl perro del hortelanoEl Alcalde de ZalameaFilm versionCinematographic adaptionPropagandaPedro Calderón de la BarcaAudienceCensorshipTheater-cinema relationsCinemaNational identityShakespeareFilm adaptationReception of the Golden Age Theatre HeritageTheatreReceptionFilmic rewriting

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es