Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords PropagandaPedro Calderón de la BarcaAgustín MoretoCinematic spacePortugalReceptionEl perro del hortelanoHispanismMaría Teresa LeónTheories on adaptationGolden Age Drama StudiesTheatreEl desdén con el desdénTheatre in cinemaFilm versionEl Alcalde de ZalameaTheatrical spaceMonologueNational identityDictatorshipShakespeareSpainReception of the Golden Age theatre heritageFrancoismCinematographic adaptionFilm adaptationArgentine cinemaDialectic high vs lowCalderónSpanish theater of Golden CenturyNazismSpanish ComediaGolden Age DramaPilar MiróFilmic rewritingSpanishnessMenos es másFrancisco FrancoLa vida es sueñoNaplesDon JuanSiglo de OroSpanish Golden Age theaterRafael AlbertiTheater-cinema relationsAdaptationSpanish cinemaCinemaLope de VegaScreen adaptationAudienceFranco’s regimeCommunismCensorshipReception of the Golden Age Theatre Heritage

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es