Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Pedro Calderón de la BarcaReception of the Golden Age Theatre HeritageAdaptationCinemaRafael AlbertiDictatorshipScreen adaptationEl Alcalde de ZalameaSpanishnessTheatre in cinemaNational identityTheatrical spaceCinematic spaceHispanismSpanish cinemaReception of the Golden Age theatre heritageLa vida es sueñoCensorshipShakespeareEl perro del hortelanoDialectic high vs lowCommunismMaría Teresa LeónDon JuanArgentine cinemaFilmic rewritingSpanish theater of Golden CenturySpanish ComediaCalderónMenos es másSiglo de OroNazismCinematographic adaptionAgustín MoretoFilm versionSpainTheater-cinema relationsMonologueAudienceTheories on adaptationFrancisco FrancoGolden Age DramaLope de VegaPilar MiróPortugalReceptionFrancoismTheatreGolden Age Drama StudiesNaplesPropagandaSpanish Golden Age theaterFilm adaptationEl desdén con el desdénFranco’s regime

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es