Quaderni di Venezia Arti

Testo e immagine. Un dialogo dall’antichità al contemporaneo

Текст и образ. От античности к современности

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open access
    edited by
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Beatrice Spampinato - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 giugno 2019).  |  Сборник включает материалы Международной конференции аспирантов Департамента Философии и Культурного Наследия Университета Ка’ Фоскари в Венеции и Государственного Института Искусствознания в Москве Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 июня 2019).

Keywords Botticelli • Iconoclasm • New Media Art • Biennale di Venezia • Quattrocento • Text and image • Livre d’artiste • Rationalisation • Quotation • Formalism • Vito Acconci • Gilgamesh • Author’s frame • Wax Seals • Zdanevich • Museum Labels • Graphic Symbols • Futurist Poetry • Ludic technologies • Art • Iliazd • Web Cinema • Narrative Identity • Polytheism • Rosalind Krauss • Jurgis Baltrušaitis • Chiara Fumai • Reception • Interpretation • Seljuk architecture • The Samanids • Image • History of Art Provenance • Frame • Identity of Iranians • Iranian architecture • Medium • Monotheism • Primitives • Interaction between a picture and a frame • Net • Video Art • Daniel in lion’s den • Zaum • Olia Lialina • Russian Art Critique of the XIX Century • Owner’s marks • Collectors’ Labels • Russian Futurism • art

Permalink http://doi.org/10.30687/978-88-6969-362-5 | e-ISBN 978-88-6969-362-5 | ISBN (PRINT) 978-88-6969-363-2 | Published Nov. 28, 2019 | Language ru, it

Copyright © 2019 Maria Redaelli, Beatrice Spampinato, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.