Series | Quaderni di Venezia Arti
Volume 2 | Monograph | Testo e immagine. Un dialogo dall’antichità al contemporaneo
Abstract
Il volume raccoglie i contributi del Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 giugno 2019). | Сборник включает материалы Международной конференции аспирантов Департамента Философии и Культурного Наследия Университета Ка’ Фоскари в Венеции и Государственного Института Искусствознания в Москве Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 июня 2019).
Keywords Polytheism • Museum Labels • Iliazd • Iranian architecture • The Samanids • Russian Art Critique of the XIX Century • Interaction between a picture and a frame • Image • Medium • Quattrocento • Vito Acconci • Olia Lialina • Biennale di Venezia • Seljuk architecture • Jurgis Baltrušaitis • Formalism • Rosalind Krauss • art • Zdanevich • Wax Seals • Interpretation • Botticelli • Rationalisation • Identity of Iranians • Futurist Poetry • Iconoclasm • Video Art • Zaum • Art • Russian Futurism • Text and image • Monotheism • Livre d’artiste • Daniel in lion’s den • Frame • History of Art Provenance • Collectors’ Labels • Narrative Identity • Reception • New Media Art • Gilgamesh • Net • Owner’s marks • Primitives • Quotation • Web Cinema • Author’s frame • Ludic technologies • Chiara Fumai • Graphic Symbols
Permalink http://doi.org/10.30687/978-88-6969-362-5 | e-ISBN 978-88-6969-362-5 | ISBN (PRINT) 978-88-6969-363-2 | Published Nov. 28, 2019 | Language it, ru
Copyright © 2019 Maria Redaelli, Beatrice Spampinato, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Note introduttive | Вступительное слово
Parole nelle immagini, parole oltre le immagini | Визуальность и её границы
La parola come strumento | Слово как приём
Leggere l’architettura medievale | Прочтения средневековой архитектуры
DC Field | Value |
---|---|
dc.identifier |
ECF_book_394 |
dc.creator |
Redaelli Maria |
dc.creator |
Spampinato Beatrice |
dc.creator |
Timonina Alexandra |
dc.title |
Testo e immagine. Un dialogo dall’antichità al contemporaneo. Текст и образ. От античности к современности |
dc.type |
Monograph |
dc.language.iso |
it, ru |
dc.description.abstract |
Il volume raccoglie i contributi del Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 giugno 2019). | Сборник включает материалы Международной конференции аспирантов Департамента Философии и Культурного Наследия Университета Ка’ Фоскари в Венеции и Государственного Института Искусствознания в Москве Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 июня 2019). |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.identifier.doi |
10.30687/978-88-6969-362-5 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-11-28 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-363-2/ |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
978-88-6969-363-2 |
dc.identifier.eisbn |
978-88-6969-362-5 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Art |
dc.subject |
Author’s frame |
dc.subject |
Author’s frame |
dc.subject |
Author’s frame |
dc.subject |
Biennale di Venezia |
dc.subject |
Biennale di Venezia |
dc.subject |
Biennale di Venezia |
dc.subject |
Botticelli |
dc.subject |
Botticelli |
dc.subject |
Botticelli |
dc.subject |
Chiara Fumai |
dc.subject |
Chiara Fumai |
dc.subject |
Chiara Fumai |
dc.subject |
Collectors’ Labels |
dc.subject |
Collectors’ Labels |
dc.subject |
Collectors’ Labels |
dc.subject |
Daniel in lion’s den |
dc.subject |
Daniel in lion’s den |
dc.subject |
Formalism |
dc.subject |
Formalism |
dc.subject |
Formalism |
dc.subject |
Frame |
dc.subject |
Frame |
dc.subject |
Frame |
dc.subject |
Futurist Poetry |
dc.subject |
Futurist Poetry |
dc.subject |
Futurist Poetry |
dc.subject |
Gilgamesh |
dc.subject |
Gilgamesh |
dc.subject |
Graphic Symbols |
dc.subject |
Graphic Symbols |
dc.subject |
Graphic Symbols |
dc.subject |
History of Art Provenance |
dc.subject |
History of Art Provenance |
dc.subject |
History of Art Provenance |
dc.subject |
Iconoclasm |
dc.subject |
Iconoclasm |
dc.subject |
Iconoclasm |
dc.subject |
Identity of Iranians |
dc.subject |
Identity of Iranians |
dc.subject |
Iliazd |
dc.subject |
Iliazd |
dc.subject |
Iliazd |
dc.subject |
Image |
dc.subject |
Image |
dc.subject |
Image |
dc.subject |
Interaction between a picture and a frame |
dc.subject |
Interaction between a picture and a frame |
dc.subject |
Interaction between a picture and a frame |
dc.subject |
Interpretation |
dc.subject |
Interpretation |
dc.subject |
Interpretation |
dc.subject |
Iranian architecture |
dc.subject |
Iranian architecture |
dc.subject |
Iranian architecture |
dc.subject |
Jurgis Baltrušaitis |
dc.subject |
Jurgis Baltrušaitis |
dc.subject |
Jurgis Baltrušaitis |
dc.subject |
Livre d’artiste |
dc.subject |
Livre d’artiste |
dc.subject |
Livre d’artiste |
dc.subject |
Ludic technologies |
dc.subject |
Ludic technologies |
dc.subject |
Ludic technologies |
dc.subject |
Medium |
dc.subject |
Medium |
dc.subject |
Medium |
dc.subject |
Monotheism |
dc.subject |
Monotheism |
dc.subject |
Monotheism |
dc.subject |
Museum Labels |
dc.subject |
Museum Labels |
dc.subject |
Museum Labels |
dc.subject |
Narrative Identity |
dc.subject |
Narrative Identity |
dc.subject |
Net |
dc.subject |
Net |
dc.subject |
Net |
dc.subject |
New Media Art |
dc.subject |
New Media Art |
dc.subject |
New Media Art |
dc.subject |
Olia Lialina |
dc.subject |
Olia Lialina |
dc.subject |
Olia Lialina |
dc.subject |
Owner’s marks |
dc.subject |
Owner’s marks |
dc.subject |
Owner’s marks |
dc.subject |
Polytheism |
dc.subject |
Polytheism |
dc.subject |
Polytheism |
dc.subject |
Primitives |
dc.subject |
Primitives |
dc.subject |
Primitives |
dc.subject |
Quattrocento |
dc.subject |
Quattrocento |
dc.subject |
Quattrocento |
dc.subject |
Quotation |
dc.subject |
Quotation |
dc.subject |
Quotation |
dc.subject |
Rationalisation |
dc.subject |
Rationalisation |
dc.subject |
Rationalisation |
dc.subject |
Reception |
dc.subject |
Reception |
dc.subject |
Reception |
dc.subject |
Rosalind Krauss |
dc.subject |
Rosalind Krauss |
dc.subject |
Rosalind Krauss |
dc.subject |
Russian Art Critique of the XIX Century |
dc.subject |
Russian Art Critique of the XIX Century |
dc.subject |
Russian Art Critique of the XIX Century |
dc.subject |
Russian Futurism |
dc.subject |
Russian Futurism |
dc.subject |
Russian Futurism |
dc.subject |
Seljuk architecture |
dc.subject |
Seljuk architecture |
dc.subject |
Text and image |
dc.subject |
Text and image |
dc.subject |
Text and image |
dc.subject |
Text and image |
dc.subject |
Text and image |
dc.subject |
The Samanids |
dc.subject |
The Samanids |
dc.subject |
Video Art |
dc.subject |
Video Art |
dc.subject |
Video Art |
dc.subject |
Vito Acconci |
dc.subject |
Vito Acconci |
dc.subject |
Vito Acconci |
dc.subject |
Wax Seals |
dc.subject |
Wax Seals |
dc.subject |
Wax Seals |
dc.subject |
Web Cinema |
dc.subject |
Web Cinema |
dc.subject |
Web Cinema |
dc.subject |
Zaum |
dc.subject |
Zaum |
dc.subject |
Zaum |
dc.subject |
Zdanevich |
dc.subject |
Zdanevich |
dc.subject |
Zdanevich |
dc.subject |
art |
dc.subject |
art |
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