Moving Spaces

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DC Field	Value
dc.identifier	ECF_book_496
dc.creator	Franco Susanne
dc.creator	Giannachi Gabriella
dc.title	Moving Spaces. Enacting Dance, Performance, and the Digital in the Museum
dc.type	Edited book
dc.language.iso	en
dc.description.abstract	This collection of essays investigates some of the theories and concepts related to the burgeoning presence of dance and performance in the museum. This surge has led to significant revisions of the roles and functions that museums currently play in society. The authors provide key analyses on why and how museums are changing by looking into participatory practices and decolonisation processes, the shifting relationship with the visitor/spectator, the introduction of digital practices in collection making and museum curation, and the creation of increasingly complex documentation practices. The tasks designed by artists who are involved in the European project Dancing Museums. The Democracy of Beings (2018-21) respond to the essays by suggesting a series of body-mind practices that readers could perform between the various chapters to experience how theory may affect their bodies.
dc.relation.ispartof	The Future Contemporary
dc.identifier.doi	10.30687/978-88-6969-534-6
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2021-09-16
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-535-3/
dc.identifier.issn	2785-1613
dc.identifier.eissn	2785-0986
dc.identifier.isbn	978-88-6969-535-3
dc.identifier.eisbn	978-88-6969-534-6
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Activation
dc.subject	Activation
dc.subject	Activism
dc.subject	Activism
dc.subject	Activism
dc.subject	Address
dc.subject	Address
dc.subject	Aesthetic subjectivity
dc.subject	Aesthetic subjectivity
dc.subject	African-heritage dance
dc.subject	African-heritage dance
dc.subject	Afrofuturism
dc.subject	Afrofuturism
dc.subject	Afropessimism
dc.subject	Afropessimism
dc.subject	Archive
dc.subject	Archive
dc.subject	Augmented and mixed reality
dc.subject	Augmented and mixed reality
dc.subject	Black Commons
dc.subject	Black Commons
dc.subject	Black dance
dc.subject	Black dance
dc.subject	Choreography
dc.subject	Choreography
dc.subject	Colonial legacies
dc.subject	Colonial legacies
dc.subject	Community
dc.subject	Community
dc.subject	Conservation
dc.subject	Conservation
dc.subject	Creolisation
dc.subject	Creolisation
dc.subject	Dance and performance in the museum
dc.subject	Dance in the museum
dc.subject	Dance in the museum
dc.subject	Dance in the museum
dc.subject	Dance in the museum
dc.subject	Danish colonialism
dc.subject	Danish colonialism
dc.subject	Decoloniality
dc.subject	Decoloniality
dc.subject	Decoloniality
dc.subject	Deep space
dc.subject	Deep space
dc.subject	Difficult heritage
dc.subject	Difficult heritage
dc.subject	Difficult heritage
dc.subject	Digital
dc.subject	Documentation
dc.subject	Documentation
dc.subject	Documentation
dc.subject	Jeannaette Ehlers
dc.subject	Jeannaette Ehlers
dc.subject	Marseille
dc.subject	Marseille
dc.subject	Museum
dc.subject	Museum
dc.subject	Museum
dc.subject	Museum
dc.subject	Museum
dc.subject	Museum
dc.subject	Museumised space
dc.subject	Museumised space
dc.subject	New media art
dc.subject	New media art
dc.subject	Participatory Art
dc.subject	Participatory Art
dc.subject	Participatory Art
dc.subject	Performance
dc.subject	Performance
dc.subject	Presence
dc.subject	Presence
dc.subject	Re-enactment
dc.subject	Re-enactment
dc.subject	Re-enactment
dc.subject	Re-enactment
dc.subject	Situation
dc.subject	Situation
dc.subject	The public
dc.subject	The public
dc.subject	Value
dc.subject	Value
dc.subject	Venice
dc.subject	Venice
dc.subject	Virtual
dc.subject	Virtual

Edited book
open access peer reviewed

Moving Spaces

Enacting Dance, Performance, and the Digital in the Museum

edited by

Susanne Franco Università Ca’ Foscari Venezia, Italia

Gabriella Giannachi University of Exeter, UK

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abstract

This collection of essays investigates some of the theories and concepts related to the burgeoning presence of dance and performance in the museum. This surge has led to significant revisions of the roles and functions that museums currently play in society. The authors provide key analyses on why and how museums are changing by looking into participatory practices and decolonisation processes, the shifting relationship with the visitor/spectator, the introduction of digital practices in collection making and museum curation, and the creation of increasingly complex documentation practices. The tasks designed by artists who are involved in the European project Dancing Museums. The Democracy of Beings (2018-21) respond to the essays by suggesting a series of body-mind practices that readers could perform between the various chapters to experience how theory may affect their bodies.

Published

Sept. 16, 2021

Language

ISBN (PRINT)

978-88-6969-535-3

ISBN (EBOOK)

978-88-6969-534-6

Number of pages

156

Dimensions

17x25.5 cm

Keywords

Colonial legacies • Address • Documentation • Creolisation • Augmented and mixed reality • New media art • Digital • Dance in the museum • Conservation • Activation • Performance • Choreography • Dance and performance in the museum • Participatory Art • Afropessimism • Archive • Danish colonialism • Difficult heritage • Virtual • Re-enactment • Museum • Value • African-heritage dance • Jeannaette Ehlers • Black Commons • Presence • Situation • Marseille • Venice • Decoloniality • Aesthetic subjectivity • Activism • Community • Deep space • The public • Black dance • Museumised space • Afrofuturism

permalink http://doi.org/10.30687/978-88-6969-534-6

Copyright: © 2021 Susanne Franco, Gabriella Giannachi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.