Series | Antiquity Studies
Edited book | ΦΑΙΔΙΜΟΣ ΕΚΤΩΡ
Chapter | Bacchylides Playing Tragic
Abstract
This paper focuses on features in Bacchylides’ poetry that have been mainly associated with the tragic genre: human error, the ignorance of tragic characters, the audience’s privileged knowledge at a tragic and lyric performance and its activation, tragic irony, and the audience’s participation in the completion of mythological narratives. As evidence of Bacchylides’ tragic aura I analyse the figures of Deianeira and Heracles in Odes 5 and 16 in connection with the story in Sophocles’ Trachiniae; the resemblance of the structure of Ode 18 with encounters with the tragic chorus and how it creates internal and external audiences; questions of closures and narratives endings.
Submitted: May 17, 2021 | Accepted: June 23, 2021 | Published Dec. 16, 2021 | Language: en
Keywords Narrative • Lyric poetry • Human error • Tragic irony • Audience • Knowledge • Tragedy
Copyright © 2021 Theodora A. Hadjimichael. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-548-3/013
In limine
Poesia esametrica arcaica
Lirica
Tragedia
Poesia ellenistica tarda
Prosa
Poesia latina
Linguistica e storia degli studi
A mo’ di conclusione
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_6531 |
dc.contributor.author |
Hadjimichael Theodora A. |
dc.title |
Bacchylides Playing Tragic |
dc.type |
Chapter |
dc.language.iso |
en |
dc.description.abstract |
This paper focuses on features in Bacchylides’ poetry that have been mainly associated with the tragic genre: human error, the ignorance of tragic characters, the audience’s privileged knowledge at a tragic and lyric performance and its activation, tragic irony, and the audience’s participation in the completion of mythological narratives. As evidence of Bacchylides’ tragic aura I analyse the figures of Deianeira and Heracles in Odes 5 and 16 in connection with the story in Sophocles’ Trachiniae; the resemblance of the structure of Ode 18 with encounters with the tragic chorus and how it creates internal and external audiences; questions of closures and narratives endings. |
dc.relation.ispartof |
Antiquity Studies |
dc.relation.ispartof |
Filologia e letteratura |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.issued |
2021-12-16 |
dc.dateAccepted |
2021-06-23 |
dc.dateSubmitted |
2021-05-17 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-549-0/bacchylides-playing-tragic/ |
dc.identifier.doi |
10.30687/978-88-6969-548-3/013 |
dc.identifier.issn |
2610-8828 |
dc.identifier.eissn |
2610-9344 |
dc.identifier.isbn |
978-88-6969-549-0 |
dc.identifier.eisbn |
978-88-6969-548-3 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Audience |
dc.subject |
Audience |
dc.subject |
Human error |
dc.subject |
Human error |
dc.subject |
Knowledge |
dc.subject |
Knowledge |
dc.subject |
Lyric poetry |
dc.subject |
Lyric poetry |
dc.subject |
Narrative |
dc.subject |
Narrative |
dc.subject |
Tragedy |
dc.subject |
Tragedy |
dc.subject |
Tragic irony |
dc.subject |
Tragic irony |
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