Series | Antiquity Studies
Edited book | ΦΑΙΔΙΜΟΣ ΕΚΤΩΡ
Chapter | Retour sur l’hymne homérique comme proème : la pragmatique de l’hymne 6 à Aphrodite
Abstract
For the necessary anthropological return to ‘native’ categories, Thucydides (3.104) helps us for our modern understanding of the Homeric hymns. These poems in epic diction are prooimia to musical competitions. They are composed for a ritual recitation on the occasion of different cultic festivals in different cities. With the example of the second Homeric hymn consecrated to Aphrodite in our modern corpus, the study tends to show the different enunciative procedures aiming at such a ritual function, such a pragmatics through an astonishing portrait of the goddess of erotic desire. The procedure opens the possibility of re-performances of the hymnic poems in other ritual circumstances, in other cultic spaces.
Submitted: May 17, 2021 | Accepted: June 23, 2021 | Published Dec. 16, 2021 | Language: fr
Keywords Homeric hymn • Enunciation • Ritual • Reperformance • Pragmatics • Aphrodite
Copyright © 2021 Claude Calame. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-548-3/002
In limine
Poesia esametrica arcaica
Lirica
Tragedia
Poesia ellenistica tarda
Prosa
Poesia latina
Linguistica e storia degli studi
A mo’ di conclusione
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_6522 |
dc.contributor.author |
Calame Claude |
dc.title |
Retour sur l’hymne homérique comme proème : la pragmatique de l’hymne 6 à Aphrodite |
dc.type |
Chapter |
dc.language.iso |
fr |
dc.description.abstract |
For the necessary anthropological return to ‘native’ categories, Thucydides (3.104) helps us for our modern understanding of the Homeric hymns. These poems in epic diction are prooimia to musical competitions. They are composed for a ritual recitation on the occasion of different cultic festivals in different cities. With the example of the second Homeric hymn consecrated to Aphrodite in our modern corpus, the study tends to show the different enunciative procedures aiming at such a ritual function, such a pragmatics through an astonishing portrait of the goddess of erotic desire. The procedure opens the possibility of re-performances of the hymnic poems in other ritual circumstances, in other cultic spaces. |
dc.relation.ispartof |
Antiquity Studies |
dc.relation.ispartof |
Filologia e letteratura |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.issued |
2021-12-16 |
dc.dateAccepted |
2021-06-23 |
dc.dateSubmitted |
2021-05-17 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-549-0/retour-sur-lhymne-homerique-comme-proeme-la-pragma/ |
dc.identifier.doi |
10.30687/978-88-6969-548-3/002 |
dc.identifier.issn |
2610-8828 |
dc.identifier.eissn |
2610-9344 |
dc.identifier.isbn |
978-88-6969-549-0 |
dc.identifier.eisbn |
978-88-6969-548-3 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Aphrodite |
dc.subject |
Aphrodite |
dc.subject |
Enunciation |
dc.subject |
Enunciation |
dc.subject |
Homeric hymn |
dc.subject |
Homeric hymn |
dc.subject |
Pragmatics |
dc.subject |
Pragmatics |
dc.subject |
Reperformance |
dc.subject |
Reperformance |
dc.subject |
Ritual |
dc.subject |
Ritual |
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