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Classic and Contemporary Agamemnon

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open access | peer reviewed
    edited by
  • Francesco Citti - Alma Mater Studiorum Università di Bologna, Italia - email
  • Alessandro Iannucci - Alma Mater Studiorum Università di Bologna, Italia - email
  • Antonio Ziosi - Alma Mater Studiorum Università di Bologna, Italia - email

Abstract
Like its predecessors, Edipo classico e contemporaneo, edited by F. Citti and A. Iannucci (Hildesheim; Zürich; New York, 2012) and Troiane classiche e contemporanee, edited by F. Citti, A. Iannucci, A. Ziosi (Hildesheim; Zürich; New York, 2017) this new volume seeks to stage a dialogue between a Greek play and a Latin one, Aeschylus’s Agamemnon and its Latin rewriting by Seneca. But at the same time, this intertextual dialogue becomes, in turn, a fundamental hypotext for further and varied ‘rewritings’ of the myth and the story of Agamemnon, in plays, opera librettos, novels, films, paintings and reenactments, from the Renaissance to the present day, as many papers in this book show, with new and original insights in the ever-growing realm of Reception studies.

Keywords Mytilene debate • Reception • Euripides • Pirrotta • Clytemnestra • Prophecies • Accius’s Clutemestra • Jan Fabre • House of Names • Authorship • Interculturality • Horses and chariots • Classical Reception Studies • Seneca’s Agamemnon • Agamemnon • Opera • Adaptation • Decision-making • Power • Troades • Classical reception studies • Iranian mythology • Seneca • Orestes • Gibellina • Vernacular Translations • Anagoor • Colometry • Meta-deliberation • Aeschylus’ Agamennon • Music • Dreams • Aeschylus • Sophocles’ Electra • Pomodoro • Reception studies • Trilogy • Musical theatre • Iphigenia • De Chirico • Baj • Collier • Dualisms • Uncertainty • Thucydides • Atreidae • Cleon • Sicilian trilogy • Cassandra • Pacuvius’ Dulorestes • Formularity • Estrangement • Lyric-epirrhematic amoibaion • Contemporary scene • Empathy • Tóibín • Livius Andronicus’ Aegisthus • Libretto • Pyrrhus • Tragedy • Antonio Latella • Isgrò • 1407-1576 • Metanoia • Oresteia • Plato’s Phaedrus • Thyestes • Greek tragic style • Dramaturgy • Repetitions • Evangelista Fossa • Agamemnon ll • Re-enactment • Political theatre • Guérin • Re-writing • Aeschylus’ Persae • Ancient Greek drama • Iphigeneia in Aulis

Permalink http://doi.org/10.30687/978-88-6969-632-9 | e-ISBN 978-88-6969-632-9 | ISBN (PRINT) 978-88-6969-633-6 | Number of pages 312 | Dimensions 16x23cm | Published Dec. 13, 2022 | Language it, en

Copyright © 2022 Francesco Citti, Alessandro Iannucci, Antonio Ziosi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.