Introductory remarks

• Introductory remarks
• Forthcoming

Self-Definition and Self-Questioning: Image-Making as a Political Tool

• Image and Imagery in the Age of the Directory (1795-99)
  The Political Symbolism of the Revolution between Old and New Horizons
• Giacomo Carmagnini
• Dec. 22, 2023

• Reworking National History
  The Representation of Power and its Subsequent Overturning in Relation to Postcolonial Art in Italy
• Jacopo De Blasio
• Dec. 22, 2023

Artistic Expression and Political Power in Late Medieval and Renaissance Venice

• Reflections of Venetian Cittadini Originari
  The Zamberti Family: A Case Study
• Anna Bernante
• Dec. 22, 2023

• Beyond the Image of Submission
  At the Origin of the Distorted Portrait of the Byzantine Emperor John V Palaiologos (r. 1354-91) in the Latin West
• Giulia D'Albenzio
• Dec. 22, 2023

• Words For/Against Power
  Pietro Aretino’s Poetical Devices as Demystification of the Present
• Andrea Golfetto
• Dec. 22, 2023

Me, Myself and I: Reframing the Concepts of Identity and Otherness

• Stay Hungry, Stay Foolish
  Deconstructing the Performance of Labour in the Bureau of Melodramatic Research
• Fabiola Fiocco
• Dec. 22, 2023

• Gendered Allegories of Power and Warfare: Warrior Women as Personifications in Early Modern Art
• Elisa Stafferini
• Dec. 22, 2023

Art, Patronage, and Prestige: Visual Representations of Power in the Modern Era

• Protected and Protecting
  Dual Relations between the Sapieha Family and the Miraculous Image of Our Lady of Kodeń
• Dagmar Vysloužilová
• Dec. 22, 2023

• An Exercise of Style and Power
  Hans Holbein the Younger and the Painted Facade of the Hertenstein House in Lucerne (1517)
• Sandes Dindar
• Dec. 22, 2023

Your Gaze Hits the Side of My Face: On the Image as Social Response and Counterculture

• Countercultural Images and Technological Visions in the Italian Alternative Press Around 1977
• Sara Molho
• Dec. 22, 2023

• The Power of Contemporary Chinese Photography: Capturing Moments, Shaping Perspectives
• Fu Sen
• Dec. 22, 2023

Unveiling Perception: Altered Reality Through Surveillance and AI Imagery

• Countersurveillance Aesthetic
  Resistance Through Wearable Technologies
• Irene Calvi
• Dec. 22, 2023

• Poor Power Images in the Work of Hito Steyerl
• Jolanda Wessel
• Dec. 22, 2023

Symbolism and Identity in Ancient Societies: Negotiating Power Through Material Culture

• The Power of Statues in Byzantium
  The Wooden Effigy of Saint George in Omorfokklisia as a Talismanic Device
• Elena De Zordi
• Dec. 22, 2023

Crossing Boundaries: Exploring Interdisciplinary Practices and Moving Images

• The Object Looks Back: Paraesthetic Vision in Portrait de la jeune fille en feu and Optic Nerve
• Mansi Tiwari
• Dec. 22, 2023

• Unseen Memories
  Exploring Imagery in Jeremy Deller’s We’re Here Because We’re Here and the 14-18 NOW Project
• Angelica Bertoli
• Dec. 22, 2023

Cultural Institutions and Power: On the Relationship Between Museums and Politics

• The Rise of the Sursock Museum
  The Power of the Image to Create an Image of Power
• Ashraf Osman
• Dec. 22, 2023

• ‘Il cappellino all’ultima moda’
  The Impossible Exhibition of the Peggy Guggenheim Collection in Turin
• Maria Novella Tavano
• Dec. 22, 2023

Let Me Be Your Eyes: Investigations into the Phenomenology of Control

• Aby Warburg and the Political Iconography of Fascism: An Analysis of Symbols of Power
• Margherita Piccichè
• Dec. 22, 2023

• Shifting Roles
  The Imperial Folk Arts and Crafts Revival’s Narratives at the Second All-Russian Kustar’ Exhibition (1913)
• Giulia Gelmi
• Dec. 22, 2023

DC Field	Value
dc.identifier	ECF_chapter_19558
dc.title	Introductory remarks
dc.type	Chapter
dc.language.iso	en
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-12-22
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-771-5/introductory-remarks/
dc.identifier.doi	10.30687/978-88-6969-771-5/000
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-771-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
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