Series | Eurasian Studies
Edited book | Riflessi e ombre nel Mar Bianco
Chapter | Identità e alterità sulle sponde del Bosforo alla scoperta de ‘la Monna Lisa dell’arte turca’
Identità e alterità sulle sponde del Bosforo alla scoperta de ‘la Monna Lisa dell’arte turca’
Abstract
Istanbul has long been the subject of countless travelogues. In Italy, too, several publications have explored the city on the Bosphorus; suffice it to mention Constantinople by Edmondo De Amicis, which keeps inspiring Italian and foreign readers, travellers and writers alike one hundred and fifty years since its first release. A common feature in the majority of this literature is a topos that Umberto Eco defined “rapimento dell’arrivo”, that is, a sense of rapture facing the magnificence of the city upon arrival. Yet, especially in the field of graphic novels and graphic journalism, travellers have narrated the encounter with Istanbul according to alternative paths and schemes. One of these graphic travelogues is L’ammaestratore di Istanbul (The Turtle Tamer of Istanbul) by Elettra Stamboulis and Gianluca Costantini, which allows us to reflect on a question that forms the backdrop to the whole work, namely the question of identity and otherness.
Submitted: July 9, 2023 | Accepted: Oct. 22, 2023 | Published Feb. 21, 2024 | Language: it
Keywords Istanbul • Graphic novel • Travelogue • Identity • Otherness
Copyright © 2024 Valentina Marcella. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-794-4/011
