Apocalypsis cum figuris, today

• Vincenzo Trione - Università IULM, Milano, Italia - email

• Introductory Remarks
• Simone Piazza
• Dec. 11, 2024

Through Language: On Form and Meaning

• Painting in Vernacular
  Languages at the Crossroads in Sixteenth-Century Venice
• Andrea Golfetto
• Dec. 11, 2024

• Facing Bonnard’s Le Boxeur
• Mario De Angelis
• Dec. 11, 2024

• “Cronotophes” in the Aftermath of Displacement: Traumatic Memory in Šejla Kamerić’s Body Poetic
• Asia Benedetti
• Dec. 11, 2024

• The Archive, Memory and Media in Crisis: Jon Rafman’s Poetic Disruptions of the Present
• Luja Šimunović
• Dec. 11, 2024

Through Exhibitions and Archives: Inquiries on the Sociopolitical Engagement of Cultural Institutions

• History in Fragments: What Does A Photogenetic Line Tell Us About Dialectical Images?
• Santasil Mallik
• Dec. 11, 2024

Through the Zone of Interest: Reframing the Identity and its Geographies

• Lullaby for the End of the World
  Post-Identitarian Bodies for a Haunted Writing of the Collective Future
• Alessi Prati
• Dec. 11, 2024

• Los Alamos and its Contemporary ‘Remains’: Cormac McCarthy and William Eggleston
• Virginia Gerlero
• Dec. 11, 2024

• The Disembodied Magic Body
  Situating the Self and its Clone in Laurie Anderson’s Dal Vivo
• Angelica Bertoli
• Dec. 11, 2024

Through the Human: The Anthropos on the Stage of Crisis

• Under the Surface
  Archaeology of Memory and Renovation of Meanings in Giorgio Vasta’s Il tempo materiale
• Alessandro Cenzi
• Dec. 11, 2024

• Art in the Capitalocene from Awareness to Action
  The Work of Marzia Migliora and Luigi Coppola
• Virginia Vannucchi
• Dec. 11, 2024

Through Montage: Choreographies of Thought in a Field of Forces

• Between Crisis and Critique: A Consideration About Montage Starting from Walter Benjamin
• Marco Ortenzi
• Dec. 11, 2024

• Mary Kelly’s ‘Montage du Désastre’, a Work of Death and Rebirth
• Mattia Cucurullo
• Dec. 11, 2024

• Navigating an Eco-Material Apocalypse with TITANE (France/Belgium 2021)
• Babylonia Constantinides
• Dec. 11, 2024

Through the History of Things: On Objects and Their Role in Cultural and Historical Crises

• Paganism and Christianity in Thirteenth-Century Sweden
  The Skog Tapestry as a Testimony of the Conversion Process
• Elena De Zordi
• Dec. 11, 2024

• Home Away From Home
  The Crisis and Escape Addressed by Hussein Chalayan's After Words Fashion Show
• Marta Del Mutolo
• Dec. 11, 2024

Through Iconographies: Interpreting Symbols of Bewilderment

• Crumbling Polyhedra
  Perfection Falling to Pieces
• Anna Bernante
• Dec. 11, 2024

• Nalini Malani’s The Rebellion of the Dead
  Dialectical Images in a Dialectical Exhibition
• Maria Novella Tavano
• Dec. 11, 2024

Coda

• Apocalypsis cum figuris, today
• Vincenzo Trione
• Dec. 11, 2024

DC Field	Value
dc.identifier	ECF_chapter_22362
dc.contributor.author	Trione Vincenzo
dc.title	Apocalypsis cum figuris, today
dc.type	Chapter
dc.language.iso	en
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2024-12-11
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-878-1/apocalypsis-cum-figuris-today/
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-878-1
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
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