Series |
The Future Contemporary
Edited book | Remediating Opera
Chapter | Introduction
Introduction
Submitted: Dec. 10, 2024 | Accepted: Jan. 28, 2025 | Published Oct. 22, 2025 | Language: en
Keywords Bertolucci • Performance • Visconti • Script • Opera Film
Copyright © 2025 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-911-5/000
- Introduction
- Oct. 22, 2025
CINEMA VS OPERA: BETWEEN HOMAGE AND APPROPRIATION
- Vissi d’arte. Opera Singers in Italian Biopics of the Forties and Fifties
- Elena Mosconi
- Oct. 22, 2025
- Voyage at the Ends of Remediation in Il Marchese del Grillo
- Chiara Casarin
- Oct. 22, 2025
- Interview with Roberto Chiesi
- Laura Cesaro
- Oct. 22, 2025
DISPLACED IN TIME: OPERA AND CULTURAL MEMORY
-
Opera, Off Stage
Visconti and Bertolucci Between Reflection and Performance - Giorgio Biancorosso
- Oct. 22, 2025
- Symphonies of Labour: Opera Traces Inside and Outside the Walls of the Factory
- Laura Cesaro
- Oct. 22, 2025
- Interview with Michal Grover-Friedlander
- Laura Cesaro
- Oct. 22, 2025
TO BETRAY TO REMAIN FAITHFUL: THE AFTERLIFE OF OPERA
- Opera in (Italian) Film: From Intermediality to Remediation
- Matteo Giuggioli
- Oct. 22, 2025
- Opera at the Time of COVID-19: Intermediality and Scenic Rewriting in Mario Martone’s Film-Theatre Triptych
- Lorenzo Rossi
- Oct. 22, 2025
-
A ‘Service Provider’ for Noi credevamo by Mario Martone
A Conversation with Vincenzo Borghetti - Chiara Casarin
- Oct. 22, 2025
- Film Music in the Levi Family Salon
- Roberto Calabretto
- Oct. 22, 2025
- Coda
- Miriam De Rosa, Vincenzina C. Ottomano
- Oct. 22, 2025
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_22361 |
|
dc.title |
Introduction |
|
dc.type |
Chapter |
|
dc.language.iso |
en |
|
dc.relation.ispartof |
The Future Contemporary |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.issued |
2025-10-22 |
|
dc.dateAccepted |
2025-01-28 |
|
dc.dateSubmitted |
2024-12-10 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-911-5/introduction/ |
|
dc.identifier.doi |
10.30687/978-88-6969-911-5/000 |
|
dc.identifier.issn |
2785-1613 |
|
dc.identifier.eissn |
2785-0986 |
|
dc.identifier.isbn |
|
|
dc.identifier.eisbn |
978-88-6969-911-5 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Bertolucci |
|
dc.subject |
Opera Film |
|
dc.subject |
Performance |
|
dc.subject |
Script |
|
dc.subject |
Visconti |
| Download data |