Editar el teatro de Gil Vicente
Entre problemas lingüísticos, métricos y de segmentación
Abstract
Gil Vicente’s theatrical works, largely preserved in a volume published several years after his death, have traditionally been edited with great conservatism despite the numerous textual challenges they present. Although fully recovering the poet’s original readings is nearly impossible, this article, using Comedia del viudo as a case study, proposes a thorough revision of Vicente’s texts to distinguish transmission errors from inherent vacillations and irregularities, allowing for their correction or, at the very least, critical commentary.
Submitted: June 3, 2025 | Accepted: Sept. 11, 2024 | Published Dec. 15, 2025 | Language: es
Keywords Textual editing and criticism • Gil Vicente’s theatre • Poetic meter in drama • Dramatic structure and play segmentation • Iberian theatre of the sixteenth century
Copyright © 2025 Fernando Rodríguez-Gallego. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-949-8/005