Series |
Quaderni di Venezia Arti
Review | Unveiling the Void: Erasure, Latency, Potentiality
Chapter | “Meditations on the Sense of Erasures”: Berlin as a Mnemotope in the Architectural Projects of Oswald Mathias Ungers and John Hejduk
“Meditations on the Sense of Erasures”: Berlin as a Mnemotope in the Architectural Projects of Oswald Mathias Ungers and John Hejduk
- Taisiya Zakharova - M.V. Lomonosov Moscow State University, Russia - email
Abstract
A mnemotope can be described as a territory or location that exists simultaneously in the physical world and in the realm of collective memory. A mnemotope, according to our hypothesis, can be used as a theoretical construct to study the influence of collective and personal memory, inextricably linked to a particular space, on architectural projects created for its territory. Using as examples two architectural projects created for the city of Berlin, in this article we argue that within the space of a mnemotope architecture can interact with, and be highly influenced by, urban areas of prior destruction.
Submitted: Oct. 15, 2025 | Published Dec. 15, 2025 | Language: en
Keywords Collective memory • John Hejduk • Oswald Mathias Ungers • Mnemotope • Berlin as a Green Archipelago • Berlin
Copyright © 2025 Taisiya Zakharova. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Introductory Remarks
- Simone Piazza
- Dec. 15, 2025
When Body Disappears
-
Representations of the Potentiated Void
Contemporary Artistic Examinations of Forced Absences and Disrupted Presences - Veronika Rudorfer
- Dec. 15, 2025
- Clothes Art and the Absent Body’s Communicative Potential
- Marta Del Mutolo
- Dec. 15, 2025
- The Shell of an In-Essential Void: The Disappearance of the Body and Its Traces in Alina Szapocznikow’s Photosculptures
- Mattia Cucurullo
- Dec. 15, 2025
Material Surfaces: Erasures and Potentialities
- Horror vacui in Early Modern Ceramics. Overall Approach to Covering Surfaces
- Ariane Milicev
- Dec. 15, 2025
- Erasing Language: An Analysis on Vincenzo Agnetti’s Axioms
- Gaia Cerrelli
- Dec. 15, 2025
Experiencing the Void: On Other Spaces
- Maria Rebecca Ballestra: Absence Between Nature and Human Being in Echoes of the Void
- Bianca Romano
- Dec. 15, 2025
Absence Through Objects and Architectural Spaces
- “Meditations on the Sense of Erasures”: Berlin as a Mnemotope in the Architectural Projects of Oswald Mathias Ungers and John Hejduk
- Taisiya Zakharova
- Dec. 15, 2025
- Elio Petri, L’assassino (1961): The Nemi Museum and the Ghost of the Ships
- Ilaria Grippa
- Dec. 15, 2025
Void and Residual Traces
- Imperceptibility as Feminist Epistemology in the Work of Eva Hesse, Ana Mendieta and Francesca Woodman
- Lee Sze Man Sarotta
- Dec. 15, 2025
- Reading the Void: Nil Yalter’s Semiotics of the Body
- Asia Benedetti
- Dec. 15, 2025
Afterword
- Voidness and Artistic Creation: Between Aesthetics and Ethics
- Marcello Ghilardi
- Dec. 15, 2025
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_25874 |
|
dc.contributor.author |
Zakharova Taisiya |
|
dc.title |
“Meditations on the Sense of Erasures”: Berlin as a Mnemotope in the Architectural Projects of Oswald Mathias Ungers and John Hejduk |
|
dc.type |
Chapter |
|
dc.language.iso |
en |
|
dc.description.abstract |
A mnemotope can be described as a territory or location that exists simultaneously in the physical world and in the realm of collective memory. A mnemotope, according to our hypothesis, can be used as a theoretical construct to study the influence of collective and personal memory, inextricably linked to a particular space, on architectural projects created for its territory. Using as examples two architectural projects created for the city of Berlin, in this article we argue that within the space of a mnemotope architecture can interact with, and be highly influenced by, urban areas of prior destruction. |
|
dc.relation.ispartof |
Quaderni di Venezia Arti |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.issued |
2025-12-15 |
|
dc.dateSubmitted |
2025-10-15 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/979-12-5742-001-7/meditations-on-the-sense-of-erasures-berlin-as-a-m/ |
|
dc.identifier.doi |
10.30687/979-12-5742-001-7/007 |
|
dc.identifier.eissn |
2784-8868 |
|
dc.identifier.isbn |
|
|
dc.identifier.eisbn |
979-12-5742-001-7 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Berlin |
|
dc.subject |
Berlin as a Green Archipelago |
|
dc.subject |
Collective memory |
|
dc.subject |
John Hejduk |
|
dc.subject |
Mnemotope |
|
dc.subject |
Oswald Mathias Ungers |
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