Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Figlia di Iorio • Career • Phoné • Early sound cinema • Russian theatre • Silent cinema • Dramatic writing • Writing • Acting techniques • Acting • Film music • Abba • Publicity launch • Royal School of Acting, Florence • Loves • Changes • Denarrativisation • Plays • Stage • Luigi Rasi • Models • Tragedy • Trampled dignity • Tragedies • Valerij Brjusov • D’Annunzio • Vanguard • Alexander Lensky • Fears • Episcopo, the ridicolous man • Carmelo Bene • Betrayed sentiments • Stage directions • Symbolism • Dramaturgy • Violence and humiliations • Madness • Ekphrasis • Direction • Vera Komissarzhevskaya • La Nave • Gabriellino d’Annunzio • Candour • French literature • Actor and dramatist • Pirandello • Theatre • Ruggeri • Death • Grotesque melodrama • Actor • Myth • Sleep • Eleonora Duse • Theatre production • Musical Dramaturgy • Nikolay Evreinov • Translation • Francesca da Rimini • Malyj Theater • De Chirico • Dramatist • Valerij Brjusov

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

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