Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Sleep • Tragedies • Silent cinema • Valerij Brjusov • Models • Acting • Figlia di Iorio • Episcopo, the ridicolous man • Malyj Theater • Valerij Brjusov • Symbolism • Denarrativisation • Betrayed sentiments • Musical Dramaturgy • Tragedy • Gabriellino d’Annunzio • Publicity launch • Dramatist • French literature • Russian theatre • Death • Vera Komissarzhevskaya • D’Annunzio • Actor and dramatist • Nikolay Evreinov • Vanguard • Phoné • Pirandello • De Chirico • Plays • Carmelo Bene • Luigi Rasi • Royal School of Acting, Florence • Actor • Trampled dignity • Early sound cinema • Dramaturgy • Direction • Theatre • Candour • Career • Fears • Changes • Translation • Violence and humiliations • Alexander Lensky • Dramatic writing • Grotesque melodrama • Myth • Loves • Madness • Writing • Stage directions • La Nave • Ekphrasis • Stage • Film music • Eleonora Duse • Ruggeri • Francesca da Rimini • Theatre production • Abba • Acting techniques

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

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