Archivio d’Annunzio Rivista di Studi comparati

Journal | Archivio d’Annunzio
Journal issue | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Abba • Valerij Brjusov • Fears • Translation • Grotesque melodrama • Writing • Models • Vanguard • Francesca da Rimini • French literature • Royal School of Acting, Florence • Plays • Acting techniques • Theatre • Myth • Career • D’Annunzio • Silent cinema • Symbolism • Actor and dramatist • De Chirico • Ekphrasis • Denarrativisation • Episcopo, the ridicolous man • Direction • Betrayed sentiments • Alexander Lensky • Ruggeri • Actor • Film music • Loves • Violence and humiliations • Death • La Nave • Gabriellino d’Annunzio • Nikolay Evreinov • Publicity launch • Dramatic writing • Phoné • Stage • Musical Dramaturgy • Tragedies • Stage directions • Tragedy • Trampled dignity • Sleep • Valerij Brjusov • Candour • Acting • Theatre production • Changes • Madness • Dramaturgy • Figlia di Iorio • Dramatist • Vera Komissarzhevskaya • Carmelo Bene • Pirandello • Luigi Rasi • Early sound cinema • Russian theatre • Eleonora Duse • Malyj Theater

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

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