Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Malyj Theater • Musical Dramaturgy • Candour • Theatre production • Actor • Figlia di Iorio • Vera Komissarzhevskaya • Stage directions • Royal School of Acting, Florence • Early sound cinema • Fears • Myth • Phoné • Publicity launch • French literature • Alexander Lensky • Nikolay Evreinov • D’Annunzio • Dramatic writing • Francesca da Rimini • Writing • Actor and dramatist • Gabriellino d’Annunzio • Acting techniques • Film music • Tragedy • Violence and humiliations • Tragedies • Luigi Rasi • Loves • Career • Dramaturgy • Death • Grotesque melodrama • La Nave • Madness • Sleep • Ruggeri • Acting • Valerij Brjusov • Carmelo Bene • Vanguard • Plays • Valerij Brjusov • Silent cinema • Stage • Trampled dignity • Changes • Betrayed sentiments • Russian theatre • Theatre • Denarrativisation • Translation • Symbolism • Eleonora Duse • Episcopo, the ridicolous man • Abba • De Chirico • Dramatist • Pirandello • Ekphrasis • Models • Direction

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

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