Journal | Archivio d’Annunzio
Journal issue | 5 | 2018
Research Article | D’Annunzio, nome comune
D’Annunzio, nome comune
Note sulla critica saviniana agli estetismi
Abstract
D’Annunzio is often mentioned, in Savinio’s works, as a typical representative of a cultural trend rather than as an author in his own right. This is due to the fact that, according to Savinio, the aesthetistic poetry is incapable of an authentic artistic creation, because it finds its place naturally in the field of imitation. Therefore, d’Annunzio’s works are the results of an anonymous and regressive experience, which is the perfect antithesis of Savinio’s idea about art. But this subject is structurally connected with a global and very original view of the world that Savinio develops especially during and after the World War 2. This work investigates the complex ties between the Savinio’s ‘antidannunzianismo’ and the development of his global elaboration.
Submitted: March 26, 2018 | Accepted: May 10, 2018 | Published Nov. 20, 2018 | Language: it
Keywords Fascismo • Estetismo • Savinio • Dannunzianesimo • D’Annunzio
Copyright © 2018 Gavino Piga. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AdA/2421-292X/2018/05/008
