Archivio d’Annunzio Rivista di Studi comparati

Journal | Archivio d’Annunzio
Monographic journal issue | 9 | 2022
Research Article | Le parole di d’Annunzio in Rebora

Le parole di d’Annunzio in Rebora

Dinamismo delle fonti tra stile e ideologia

Abstract

This essay analyses d’Annunzio’s sources in Rebora’s work – in one case, it is the other way around – showing the latter’s consciously argumentative use of the source author, whose words are borrowed to overturn their ethical value. Thus, from d’Annunzio’s precious aestheticism, these words move on to Clemente Rebora’s harsh, morally pregnant poetry, acquiring a whole new colour. Beside many examples of specific intertextual relations, concerning first Frammenti lirici and then Canti anonimi and Poesie sparse, this paper also includes in-depth analysis of the peculiar ideology underlying the two poets’ work. The results of this research, tapping also into the Concordance, are copious. The final part of the essay presents a reflection about the two authors’ mental and stylistic attitude with respect to the War, delineating unforgettable moral portraits.


Open access | Peer reviewed

Submitted: March 9, 2022 | Accepted: June 27, 2022 | Published Oct. 28, 2022 | Language: it

Keywords Rebora • Carso • D’Annunzio • Antidannunzianesimo • Nietzsche • Fonti • Guerra

Copyright © 2022 Gianni Mussini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/AdA/2421-292X/2022/01/008


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