Archivio d’Annunzio

Rivista di Studi comparati

Arte come natura / natura come arte

open access | peer reviewed

Keywords Mao Dun • Fedra • Novelist • Colors • Literary influence • Sogno d’un mattino di primavera • Nature • Sounds • Terra vergine • XIX century • Full-bodied evidence • Ovidio’s Metamorphoses • Correspondence • Novels • Medieval and contemporary sources • Friendship • Smellscape • Symbolist theatre • Primo vere • Innovation • D’Annunzio • Elegie romane • China • Literary idyll • Rome • Poetic nocturne • Poetry • Colour • 19th-century Italian poetry • Writing • Gabriele d’Annunzio • Urbanistic plan • Things • Love story • Lu Xun • Compositional method • Reception • Scenography • Canto novo • Landscape • Pregnancy • Taccuini • Journalism • Italian novella • Cinema • Marriage • Perfumes • D’Annunzio’s theatre • Ecocriticism • Giacomo Leopardi

Permalink http://doi.org/10.30687/AdA/2421-292X/2023/01 | Published Oct. 26, 2023 | Language it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.