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Ritta parmi les bombes et Parler étrangement

Les nouvelles possibilités du poème explorées par Ritta Baddoura

Francesca Tumia    Univerisité Sorbonne Nouvelle, Paris III, France    

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abstract

Between 1910 and 1975, Francophone Lebanese authors witness an evolution in their relation with French language that shows the necessity to ‘get out’ of their mother tongue in order to seize their identity in a better way. Despite a certain nationalist suspicion, this literature demonstrates all its relevance and authenticity. Lately, the generation of writers born in Lebanon during the Civil War puts itself in the continuity of this approach by means of a writing emerging from the memories of the ruins and corpses that inhabited their childhood. So, what is at stake when childhood and war cohabit in the same page some decades after the end of the war? How is the mother tongue perceived? And which characteristics does the linguistic ‘exile’ take in the poetic writing? Ritta Baddoura, Lebanese poet born in 1980 at Deir-el-Kamar and laureate of the Prix Max Jacob découverte 2015 for Parler étrangement, continuously explores this inextricable link among childhood, war and language in her collections. In this sense, we intend to analyse some texts of Ritta parmi le bombes and the path of tongue’s ‘shapes’ in Parler étrangement. We will do this in order to find new stakes in the poetic experience that could reveal original approaches and dynamics in the relation to a theme that never ceases to haunt the Francophone Lebanese poem.  

Published
Dec. 19, 2016
Accepted
Oct. 30, 2016
Submitted
Sept. 4, 2016
Language
FR

Keywords: Parler étrangementLanguageWarChildhoodRitta BaddouraRitta parmi le bombesFrancophone Lebanese Literature

Copyright: © 2016 Francesca Tumia. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.