26 | 2024
open access | peer reviewedKeywords Habel • Refugee novel • Autobiography • Urban identity • Mbougar Sarr • Neoliberalism • Dreaming • Intermediality • Chaos-world • Mabanckou • Transnationalism • Mohammed Dib • Decolonial • Narratives • Subverting of the imaginary • Climate refugees • Migration • Refugee • Decoloniality • Pluralism • Postmigration • Storytelling • Visibility • Indigenous pandemic fiction • David Fennario • Mumbai migrants • Cotton mill workers • New Zealand • Caribbean • Multiplicity • Cultural heritage • Social criticism • Narayan Surve • Exit West • Walcott • Painting • Damas • Cherie Dimaline • Tim Jones • Migrant literature • Négritude • Negative solidarity • Supernatural • Ekphrasis • Language • Césaire • Heterotopy • Subaltern studies • Whichcraft • Canadian Theatre • Failure • Mohsin Hamid • Poetics of space
Permalink http://doi.org/10.30687/Tol/2499-5975/2024/01 | Published Dec. 9, 2024 | Language en, fr, it
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