[re]constructions
open access | peer reviewed-
edited by
- Franz Fischer - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Diego Mantoan - Università degli Studi di Palermo, Italia - email orcid profile
- Barbara Tramelli - Libera Università di Bolzano, Italia - email orcid profile
Keywords Technology • Reconstruction • Knowledge organisation • Virtual • Ontology • Database • 3D • 16th century • Acoustic • Linlithgow Palace • War damage • Virtual reality • Augmented reality • Timing • 3d model • Digital archiving • Digital art history • Music • Interpretation • Lebanon • University museum • Storytelling • Middle ages • City • Modern art • Experience design • Sound • Social network • Archaeological • Laser scanning • Semantic web • 17th century • Digital documentation • Digital cultural heritage • Audience-centred • Public humanities • 3D modeling • Digital heritage • Chapel • Digital humanities • Visual arts • Museum • Audio • Irony • Controlled vocabularies • Urban space • New normal • Musicological
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06 | Published Dec. 16, 2022 | Language it, en
Copyright © Franz Fischer, Diego Mantoan, Barbara Tramelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.