Accademia di Belle Arti of Venice and “gli autori del…

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DC Field	Value
dc.identifier	ECF_article_2153
dc.title	Accademia di Belle Arti of Venice and “gli autori del miglior tempo”. Tiziano, Tintoretto, Veronese… Between Teaching, Celebration, Memory and Promotion
dc.contributor.author	Bellin Maria Antonella
dc.contributor.author	Catra Elena
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/mdccc-1800/2019/1/laccademia-di-belle-arti-di-venezia-e-gli-autori-d/
dc.description.abstract	Between 1807 and 1856, the Royal Academy of Art in Venice played a particularly active role in the cultural life of the city. Prominent figures such as Pietro Edwards, Leopoldo Cicognara and Pietro Estense Selvatico, deeply committed to the transmission of the memory of the great Venetian masters, dedicated themselves to collect many venetian masterpieces not only to preserve them from alienation and destruction but even to increase the Accademia Gallery. The main aim of this article is to discover how and at what extent the paintings of the Venetian masters that had become part of the gallery in the first decades of the XIX century, had been copied by students, academics and contemporary painters to satisfy the ambitious expectations of famous collectors and publishers.
dc.relation.ispartof	MDCCC 1800
dc.relation.ispartof	Vol. 8 \| July 2019
dc.issued	2019-07-31
dc.dateAccepted	2019-06-05
dc.dateSubmitted	2019-05-07
dc.identifier.issn
dc.identifier.eissn	2280-8841
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/MDCCC/2280-8841/2019/01/001
dc.peer-review	yes
dc.subject	Leopoldo Cicognara
dc.subject	Leopoldo Cicognara
dc.subject	Pietro Edwards
dc.subject	Pietro Edwards
dc.subject	Renaissance
dc.subject	Renaissance
dc.subject	Venetian art
dc.subject	Venetian art
dc.subject	XIX century art
dc.subject	XIX century art

Research Article
open access peer reviewed

Accademia di Belle Arti of Venice and “gli autori del miglior tempo”

Tiziano, Tintoretto, Veronese… Between Teaching, Celebration, Memory and Promotion

Maria Antonella Bellin Ricercatrice indipendente

Elena Catra Università Ca’ Foscari Venezia, Italia

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abstract

Between 1807 and 1856, the Royal Academy of Art in Venice played a particularly active role in the cultural life of the city. Prominent figures such as Pietro Edwards, Leopoldo Cicognara and Pietro Estense Selvatico, deeply committed to the transmission of the memory of the great Venetian masters, dedicated themselves to collect many venetian masterpieces not only to preserve them from alienation and destruction but even to increase the Accademia Gallery. The main aim of this article is to discover how and at what extent the paintings of the Venetian masters that had become part of the gallery in the first decades of the XIX century, had been copied by students, academics and contemporary painters to satisfy the ambitious expectations of famous collectors and publishers.

Published

July 31, 2019

Accepted

June 5, 2019

Submitted

May 7, 2019

Language

Keywords: Renaissance • Venetian art • XIX century art • Leopoldo Cicognara • Pietro Edwards

permalink http://doi.org/10.30687/MDCCC/2280-8841/2019/01/001

Copyright: © 2019 Maria Antonella Bellin, Elena Catra. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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