La Real Academia de San Fernandoy la devolución de los…

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DC Field	Value
dc.identifier	ECF_article_4003
dc.title	La Real Academia de San Fernandoy la devolución de los bienes eclesiásticos tras la Guerra de Independencia
dc.contributor.author	García Sánchez Jorge
dc.contributor.author	Moraleda Gomero Maria
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	es
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/mdccc-1800/2020/1/la-real-academia-de-san-fernandoy-la-devolucion-de/
dc.description.abstract	With this article we intend to show the policy adopted by the king Fernando VII regarding to the restitution of the artistic patrimony confiscated to the religious communities during the Independence War’s conflicting years, as well as the part played in this process by the Real Academia de San Fernando. When the project of founding the Museo Fernandino failed, the Academy, receiver of many of the paintings dispersed during the French Government, tried to increase his pictorial collection to the detriment of their legitimate proprietors, although laws promulgated from 1814 favoured the works of art were recovered by the religious establishments. In the case of the Hospital de la Caridad of Seville, the Academy kept paintings until the 20th century, based on the agreement of the clergymen with the French.
dc.relation.ispartof	MDCCC 1800
dc.relation.ispartof	Vol. 9 \| July 2020
dc.issued	2020-12-10
dc.dateAccepted	2020-07-06
dc.dateSubmitted	2020-03-04
dc.identifier.issn
dc.identifier.eissn	2280-8841
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/MDCCC/2280-8841/2020/09/004
dc.peer-review	yes
dc.subject	Disentailment
dc.subject	Disentailment
dc.subject	Fernando VII
dc.subject	Fernando VII
dc.subject	Hospital de la Caridad
dc.subject	Hospital de la Caridad
dc.subject	Monasterio de San Lorenzo de El Escorial
dc.subject	Monasterio de San Lorenzo de El Escorial
dc.subject	Murillo
dc.subject	Murillo
dc.subject	Real Academia de Bellas Artes de San Fernando
dc.subject	Real Academia de Bellas Artes de San Fernando
dc.subject	Religious convents
dc.subject	Religious convents
dc.subject	Spanish Independence War
dc.subject	Spanish Independence War

Research Article
open access peer reviewed

La Real Academia de San Fernandoy la devolución de los bienes eclesiásticos tras la Guerra de Independencia

Jorge García Sánchez Universidad Complutense de Madrid, España

Maria Moraleda Gomero Real Academia de España en Roma (AECID)

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abstract

With this article we intend to show the policy adopted by the king Fernando VII regarding to the restitution of the artistic patrimony confiscated to the religious communities during the Independence War’s conflicting years, as well as the part played in this process by the Real Academia de San Fernando. When the project of founding the Museo Fernandino failed, the Academy, receiver of many of the paintings dispersed during the French Government, tried to increase his pictorial collection to the detriment of their legitimate proprietors, although laws promulgated from 1814 favoured the works of art were recovered by the religious establishments. In the case of the Hospital de la Caridad of Seville, the Academy kept paintings until the 20th century, based on the agreement of the clergymen with the French.

Published

Dec. 10, 2020

Accepted

July 6, 2020

Submitted

March 4, 2020

Language

Keywords: Disentailment • Real Academia de Bellas Artes de San Fernando • Monasterio de San Lorenzo de El Escorial • Spanish Independence War • Murillo • Fernando VII • Religious convents • Hospital de la Caridad

permalink http://doi.org/10.30687/MDCCC/2280-8841/2020/09/004

Copyright: © 2020 Jorge García Sánchez, Maria Moraleda Gomero. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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