Cine veneziano e teatro dei campi

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DC Field	Value
dc.identifier	ECF_article_1241
dc.title	Cine veneziano e teatro dei campi. Doppiaggi zanzottiani
dc.contributor.author	Vescovo Piermario
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/quaderni-veneti/2017/1numero-monografico/cine-veneziano-e-teatro-dei-campi/
dc.description.abstract	We want to remember the substantial experience through which Andrea Zanzotto takes on the composition in dialect language, in the sense of a recall from the deep, from the letter of July 1976, by which Federico Fellini asked the poet to write two pieces to ‘dub’ two scenes of his Casanova. In this research the most important elements are the clichés – a key word in Zanzotto’s poetry – of the eighteenth-century Venetian language (essentially of Goldoni’s type) and of Ruzante’ Paduan dialect, even to find our own spoken language and then contaminate it differently, between a dubbing for the ‘cine’ and a ‘teatro dei campi’.
dc.relation.ispartof	Quaderni Veneti
dc.relation.ispartof	Vol. 6 \| June 2017
dc.issued	2017-12-20
dc.dateAccepted	2017-10-10
dc.dateSubmitted	2017-09-07
dc.identifier.issn
dc.identifier.eissn	1724-188X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/1724-188X/QV-6-1-16-11
dc.peer-review	yes
dc.subject	Andrea Zanzotto
dc.subject	Andrea Zanzotto
dc.subject	Cine
dc.subject	Cine
dc.subject	Dialetto
dc.subject	Dialetto
dc.subject	Federico Fellini
dc.subject	Federico Fellini
dc.subject	Petél
dc.subject	Petél

Research Article
open access peer reviewed

Doppiaggi zanzottiani

Piermario Vescovo Università Ca’ Foscari Venezia, Italia

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abstract

We want to remember the substantial experience through which Andrea Zanzotto takes on the composition in dialect language, in the sense of a recall from the deep, from the letter of July 1976, by which Federico Fellini asked the poet to write two pieces to ‘dub’ two scenes of his Casanova. In this research the most important elements are the clichés – a key word in Zanzotto’s poetry – of the eighteenth-century Venetian language (essentially of Goldoni’s type) and of Ruzante’ Paduan dialect, even to find our own spoken language and then contaminate it differently, between a dubbing for the ‘cine’ and a ‘teatro dei campi’.

Published

Dec. 20, 2017

Accepted

Oct. 10, 2017

Submitted

Sept. 7, 2017

Language

Keywords: Petél • Federico Fellini • Dialetto • Andrea Zanzotto • Cine

permalink http://doi.org/10.14277/1724-188X/QV-6-1-16-11

Copyright: © 2017 Piermario Vescovo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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