Journal | JoLMA
Monographic journal issue | 4 | 1 | 2023
Over the last two decades, the notion of the frame has been radically challenged in the visual, performing, and media arts, particularly as a consequence of the introduction of two mutually related concepts: ‘unframing’ and ‘reframing’. While the first refers to the gesture of ideally getting rid of any framing device, the second offers alternative ways to contextualise objects, acts, and images in time and space. This issue of JoLMA proposes to examine the concepts of unframing and reframing from the interdisciplinary perspective of visual art, performance, and media studies, by following both a theoretical and a practice-based approach. The entanglement of theory and practice becomes crucial when an attempt is made to introduce new epistemological standpoints.
Keywords Single Images • Re-enactment • Art • Storytelling • Fictional Worlds • Art theory • Conversation • Judy Chicago • Framing in art • Hyper-enactment • Interpretation • Frame • Human-machine entanglement • Contemporary art • Desktop documentary • Re-framing • AI • Feminist art • Camille Henrot • Image • ChatGPT • Sequential Images • Narration • Art magazines • Visual Culture Studies • Pictorial Storytelling • Framing • Art of the 1960s and 1970s • Art Ontology • Grosse Fatigue • Training humans • Virtual Reality • Artists’ magazines • Picture Thresholds • Augmented reality • Reframing • Avalanche magazine
Permalink http://doi.org/10.30687/Jolma/2723-9640/2023/01 | Published Sept. 25, 2023 | Language it, en
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