Translation as Interpretation | On Joseph Margolis’ Aesthetics. A Symposium
open access | peer reviewed-
edited by
- Gian Luigi Paltrinieri - Ca' Foscari University of Venice - email orcid profile
- Francesco Camera - University of Genoa - email
- Alessandro Cavazzana - Ca' Foscari University of Venice - email
Keywords Margolis • Joseph Margolis • Explicatures • Philosophy • Knowledge • Untranslatable • Pragmatism • Messianism • Translation’s theory • German Romanticism • Kripke • Cultural emergence • Ontology of art • Definite Descriptions • Plurality • Walter Benjamin • Mediation • Pragmatic objectivity • Relativism • Hegel • Compromise • Objectivity • Historicism • Implicatures • Interpretation • Gadamer • Aesthetics • Time-Space • Beiträge • Luigi Pareyson • Type-token • Ambiguity • Hybridisation • Target language • Philosophy of art • Source language • Anfang • Language • Intentionality • Linguistic Hospitality • Lexical Pragmatics • Definition of art • Heidegger • Dewey • Hermeneutics • Translation • Translation’s practice • Paul Ricoeur • Truth • Pluralism • Recognition • History of aesthetics • Difference
Permalink http://doi.org/10.30687/Jolma/2723-9640/2022/02 | Published Dec. 20, 2022 | Language en
Copyright © Gian Luigi Paltrinieri, Francesco Camera, Alessandro Cavazzana. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.