Translation as Interpretation | On Joseph Margolis’ Aesthetics. A Symposium
open access | peer reviewed-
edited by
- Gian Luigi Paltrinieri - Ca' Foscari University of Venice - email orcid profile
- Francesco Camera - University of Genoa - email
- Alessandro Cavazzana - Ca' Foscari University of Venice - email
Keywords German Romanticism • Definition of art • Linguistic Hospitality • Ontology of art • Untranslatable • Language • Beiträge • Gadamer • Time-Space • Objectivity • Translation’s practice • Kripke • Aesthetics • Type-token • Translation • Philosophy of art • History of aesthetics • Historicism • Difference • Margolis • Translation’s theory • Walter Benjamin • Intentionality • Target language • Pragmatism • Cultural emergence • Source language • Compromise • Explicatures • Lexical Pragmatics • Pluralism • Dewey • Paul Ricoeur • Recognition • Joseph Margolis • Pragmatic objectivity • Luigi Pareyson • Relativism • Ambiguity • Knowledge • Definite Descriptions • Anfang • Messianism • Hybridisation • Plurality • Truth • Heidegger • Interpretation • Philosophy • Mediation • Implicatures • Hermeneutics • Hegel
Permalink http://doi.org/10.30687/Jolma/2723-9640/2022/02 | Published Dec. 20, 2022 | Language en
Copyright © Gian Luigi Paltrinieri, Francesco Camera, Alessandro Cavazzana. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.