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Studi e ricerche
Miscellanea | The Merchant in Venice: Shakespeare in the Ghetto
Capitolo | Shylock, Our Contemporary
Shylock, Our Contemporary
- Clive Sinclair - Writer -
Abstract
Offering a personal reflection on the experience of seeing ‘seven Shylocks on a single day’ in Venice in the summer of 2016 this essay takes the form of an itinerary through three separate events related to the 500th anniversary of the establishment of the Ghetto of Venice. Footage of Laurence Olivier at the Doge’s Palace, the performance of the “Hath not a Jew Eyes?” speech in a “Mock Appeal: Shylock v. Antonio”, and the five Shylocks who appeared in Karin Coonrod’s production of The Merchant of Venice performed in the Ghetto, inspire a lively review and ironical companion piece to Sinclair’s posthumous anthology, Shylock Must Die.
Pubblicato 10 Giugno 2021 | Lingua: en
Keywords F • Murray Abraham • The Merchant of Venice • Mock Appeal: Shylock v • The Merchant in the Ghetto • Antonio • Laurence Olivier • Shylock
Copyright © 2021 Clive Sinclair. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-503-2/007
- Introduction
- Shaul Bassi, Carol Chillington Rutter
- 10 Giugno 2021
Part 1. Making The Merchant in the Ghetto
- “Shylock is Dead”: Shakespeare In and Beyond the Ghetto
- Shaul Bassi
- 10 Giugno 2021
- Gathering Strangers
- Karin Coonrod, Davina Moss
- 10 Giugno 2021
- Collaborative Spectacle: Designing The Merchant in the Ghetto
- Frank London, Stefano Nicolao, Peter Ksander
- 10 Giugno 2021
- The Actors Speak
- Michele Athos Guidi, Jenni Lea-Jones, Linda Powell, Paul Spera, Francesca Sarah Toich, Michelle Uranowitz
- 10 Giugno 2021
- Playing the Angles: Finding Shylock and Gratiano
- Sorab Wadia
- 10 Giugno 2021
Part 2. Taking The Merchant Beyond the Ghetto
- The Merchant ‘in’ Venice and The Shylock Project: Fiction, History, and the Humanities
- Kent Cartwright
- 10 Giugno 2021
- Shylock, Our Contemporary
- Clive Sinclair
- 10 Giugno 2021
- Shylock’s Mock Appeal
- Howard Jacobson
- 10 Giugno 2021
- Trying Portia
- Carol Chillington Rutter
- 10 Giugno 2021
- Composing the Jew’s Soundscape in Operatic Versions of The Merchant of Venice
- Judah Cohen
- 10 Giugno 2021
- “Antonio, il mercante della nostra storia”: Adapting The Merchant of Venice for Italian Children
- Laura Tosi
- 10 Giugno 2021
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_5833 |
|
dc.contributor.author |
Sinclair Clive |
|
dc.title |
Shylock, Our Contemporary |
|
dc.type |
Capitolo |
|
dc.language.iso |
en |
|
dc.description.abstract |
Offering a personal reflection on the experience of seeing ‘seven Shylocks on a single day’ in Venice in the summer of 2016 this essay takes the form of an itinerary through three separate events related to the 500th anniversary of the establishment of the Ghetto of Venice. Footage of Laurence Olivier at the Doge’s Palace, the performance of the “Hath not a Jew Eyes?” speech in a “Mock Appeal: Shylock v. Antonio”, and the five Shylocks who appeared in Karin Coonrod’s production of The Merchant of Venice performed in the Ghetto, inspire a lively review and ironical companion piece to Sinclair’s posthumous anthology, Shylock Must Die. |
|
dc.relation.ispartof |
Studi e ricerche |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2021-06-10 |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-504-9/shylock-our-contemporary/ |
|
dc.identifier.doi |
10.30687/978-88-6969-503-2/007 |
|
dc.identifier.issn |
2610-993X |
|
dc.identifier.eissn |
2610-9123 |
|
dc.identifier.isbn |
978-88-6969-504-9 |
|
dc.identifier.eisbn |
978-88-6969-503-2 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Antonio |
|
dc.subject |
Antonio |
|
dc.subject |
F |
|
dc.subject |
Laurence Olivier |
|
dc.subject |
Laurence Olivier |
|
dc.subject |
Mock Appeal: Shylock v |
|
dc.subject |
Mock Appeal: Shylock v |
|
dc.subject |
Murray Abraham |
|
dc.subject |
Murray Abraham |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
The Merchant in the Ghetto |
|
dc.subject |
The Merchant in the Ghetto |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
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