Collana | Quaderni di Venezia Arti
Volume 5 | Miscellanea | Behind the Image, Beyond the Image
Behind the Image, Beyond the Image
open access-
a cura di
- Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
- Lorenzo Gigante - Università Ca’ Foscari Venezia, Italia - email
- Anastasia Kozachenko-Stravinsky - Università Ca’ Foscari Venezia, Italia - email
Abstract
The volume includes papers presented at the III International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies of Moscow (Venice, 22-24 September 2021). The word ‘image’ derives from the Latin imago, a word that has many different meanings that go from ‘portrait’ to ‘ghost’, from ‘idea’ to ‘dream’, from ‘memory’ to ‘reflection’. We most commonly associate the word ‘image’ with a picture, but its etymology keeps reminding us of its infinite conceptual potential. In his famous book Behind the Image: The Art of Reading Paintings, Federico Zeri argues that there are infinite ways to observe the work of art as an image. But since the image is something that goes beyond its mere material and physical form and refers to the categories of perception and thought, the expression “beyond the image” encourages new formulations related to this polyvalent concept. The image, the imagination and the imaginable are the transversal categories that the papers collected in this volume aim to explore, inquiring the concept of image as a metaphor, a model, a method, a representation, a tool for a new understanding of reality.
Keywords Cultural tradition • Art criticism • Burov • Architecture representation • Zeitbild • Dionysus • Stage • Image • Intermediality • Architecture • Sam Durant • Music • Lombardy • Kant • Visual • Masculinity • History of collections • Morazzone • National identity • Steve McQueen • Plato • Painting of souvenirs • JR • City of 20th century • Oil sketches • Baroque • Architecture exhibition • Paintings • Allison Stewart • France • Pimenov • Fifteenth century • Soviet criticism • Photography in public space • Sport animation • Art market • Historiography • Exhibitions • Iconotext • Igor Stravinsky • La Scala • Performative Languages • Response • Christiane Jatahy • Media • Katie Mitchell • Cinema • Land Art • Sculpture • Small-sized paintings • Sedimentation • Sketch • Bologna • Soviet art theory • Curatorial studies • Seventeenth century • Art in public space • Informal art • Russian opera in Italy • Self-image • Violin • 1962 • Miraculous images • 当代艺术 • Vittorio Gui • Giorgio Vasari • Italy • Epiphany • Soviet animation • Memory • Xenia Stravinsky • Time • Woodcut • Constructivism • Collecting in Rome • Toppled Monuments Archive • Myth • Multidisciplinary • Architecture theory • Pavel Lamm • Robert Craft • Boris Asafyev • Word-picture relationship • Image theory • Return to USSR • Rome • Giovanni Baglione • Monuments • Black Lives Matter • Franciscanism • Saint Sebastian • Socially engaged art • Drawing • Iconoclasm • Khrushchev’s Thaw • Visual Culture Studies • Contemporary art • Hagiography • Grand Tour • Philosophy • Re-iconocity of characters • Miss Julie • Russian opera • Participation • Chinese Contemporary art • Mirror • Liu Yonggang • Xerox Actions • Activation • European art • Religious metaphor • Theology • Pseudomorphosis • Soviet caricatures • Mary Tibaldi Chiesa • Animals • Nikolay Rimsky-Korsakov • Moscow Olympic Games • Narcissus • Ri-mediation • Situation • Art and power • Khovanshchina • Know thyself • Aesthetics • Holy fool • Screen • Italian postwar art • Jacopo Ligozzi • 刘永刚 • The image of sport • Iconology • Madonna del Fuoco • Heidegger • Sport • Politics • Theatre • Exhibition set up • Site-specific • Exhibition studies • Entropy • Hudinilson Jr • Diplomatic gift • Boris Godunov • Society of Easel Painters • Russian European • Photographic display • Robert Smithson • Banksy • Landscape • Engagement • Modest Musorgsky • Epidemic • Ecclesiology
Permalink http://doi.org/10.30687/978-88-6969-588-9 | e-ISBN 978-88-6969-588-9 | Pubblicato 13 Maggio 2022 | Lingua it, ru, en
Copyright © 2022 Giovanni Argan, Lorenzo Gigante, Anastasia Kozachenko-Stravinsky. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
