Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Marble slab • Artie Vierkant • Visual perception • Eugene Lanceray • New Objectivity • Post-soviet art • Reception • Art history and ethnography • Peltae pattern • Miniature • YouTube • Abstraction • Symbols • Formula similarity • Дмитрий Жилинский • Proto-Renaissance • Berlin Dada • Art ontology • ‘Motherland’ • Academicism • Islamic architectural ornament • Type-token distinction • Pre-Columbian collections • Venturi • Russian art • Woodcut • Parody • Postcolonial studies • Joseph Margolis • Nineteenth-century France • Soviet painting • Bouchot • Soviet painter • Dmitry Zhilinsky • Shape of water • Influence • ‘Peace’ • Systems • Allegory of Russia • Italian Studies • Nostalgia • Gunch • Dogma • Central Asian architectural décor • Post-Impressionism • Post-media condition • Soviet architectural décor • Christianism • Apocalypse • Artistic reception • History of collections • Post-soviet society • Timur Novikov • Roger Fry • Canon • Interpretation • Nicholas Roerich • Weimar art • VKHUTEMAS • Project Method – Dynamics • Edwardian gift book • Perception • Monumental painting • Modernism • Museum of Painterly Culture • National style • Stucco • Girikh • Medieval mosaic floor • Non finito • Art Nouveau • Statics • Religion • Richard Wollheim • Pre-Columbian art • 15th century • Compositional axes • Tangible forms • Prophecy • Nineteenth-century editions • Expressionism • Quattrocento • Unity of West and East • Celebration of unity • Islimi • Speculative cinema • Film studies • Contemporary Soviet Art • Book illustration • Easel painting • Art ‘before Raphael’ • Italian painting • Non-European art exhibitions • Old masters • Livre d’artiste • Allegory for peace • Kazan railway station • Easel Painters’ Society • Videographic criticism • Print

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua it, en, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.