Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Speculative cinema • Post-soviet art • Marble slab • Artie Vierkant • National style • New Objectivity • Abstraction • Art history and ethnography • Monumental painting • Non finito • VKHUTEMAS • Shape of water • Museum of Painterly Culture • Allegory for peace • Art Nouveau • Christianism • Prophecy • Modernism • Symbols • Celebration of unity • Interpretation • Italian Studies • Postcolonial studies • Type-token distinction • Eugene Lanceray • Old masters • Contemporary Soviet Art • Italian painting • Proto-Renaissance • Nicholas Roerich • Dogma • Allegory of Russia • Systems • Peltae pattern • Religion • Weimar art • Russian art • Non-European art exhibitions • Islimi • Parody • Дмитрий Жилинский • Edwardian gift book • Nineteenth-century editions • Artistic reception • 15th century • Joseph Margolis • Woodcut • Nostalgia • Soviet painting • Apocalypse • Berlin Dada • Academicism • Gunch • Soviet painter • ‘Peace’ • Medieval mosaic floor • ‘Motherland’ • Easel painting • Statics • Book illustration • Perception • Unity of West and East • Pre-Columbian art • Dmitry Zhilinsky • Nineteenth-century France • Post-soviet society • Central Asian architectural décor • Soviet architectural décor • Formula similarity • Pre-Columbian collections • Tangible forms • Canon • Film studies • Art ontology • Venturi • Girikh • Art ‘before Raphael’ • Timur Novikov • YouTube • Reception • History of collections • Easel Painters’ Society • Print • Project Method – Dynamics • Quattrocento • Expressionism • Bouchot • Post-Impressionism • Islamic architectural ornament • Visual perception • Influence • Miniature • Videographic criticism • Stucco • Richard Wollheim • Kazan railway station • Roger Fry • Livre d’artiste • Post-media condition • Compositional axes

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, it, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.