Taking and Denying
Challenging Canons in Arts and Philosophy
open access
-
a cura di
- Giovanni Argan - Ca' Foscari University of Venice - email
- Maria Redaelli - Ca' Foscari University of Venice - email
- Alexandra Timonina - Ca' Foscari University of Venice - email
Abstract
Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).
Keywords History of collections • Marble slab • Prophecy • Weimar art • ‘Motherland’ • Berlin Dada • Postcolonial studies • Art Nouveau • Pre-Columbian collections • Formula similarity • Gunch • Art history and ethnography • Parody • Russian art • Easel painting • Allegory for peace • ‘Peace’ • Perception • Religion • Speculative cinema • Apocalypse • Eugene Lanceray • Pre-Columbian art • Bouchot • Museum of Painterly Culture • YouTube • Canon • Post-soviet art • Easel Painters’ Society • Book illustration • Compositional axes • Monumental painting • Medieval mosaic floor • National style • Videographic criticism • Old masters • Systems • Islimi • Italian painting • Nineteenth-century editions • Edwardian gift book • Peltae pattern • Modernism • Nicholas Roerich • Celebration of unity • New Objectivity • VKHUTEMAS • Interpretation • Kazan railway station • Nostalgia • Joseph Margolis • Post-soviet society • 15th century • Post-Impressionism • Visual perception • Girikh • Islamic architectural ornament • Italian Studies • Symbols • Nineteenth-century France • Christianism • Proto-Renaissance • Reception • Livre d’artiste • Art ‘before Raphael’ • Post-media condition • Statics • Unity of West and East • Artie Vierkant • Influence • Stucco • Miniature • Academicism • Richard Wollheim • Artistic reception • Shape of water • Roger Fry • Type-token distinction • Soviet painting • Allegory of Russia • Abstraction • Дмитрий Жилинский • Dogma • Venturi • Expressionism • Dmitry Zhilinsky • Central Asian architectural décor • Soviet painter • Project Method – Dynamics • Timur Novikov • Woodcut • Quattrocento • Tangible forms • Non finito • Non-European art exhibitions • Film studies • Soviet architectural décor • Print • Art ontology • Contemporary Soviet Art
Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, en, it
Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.