Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Italian painting • VKHUTEMAS • Shape of water • Interpretation • Bouchot • Religion • Non-European art exhibitions • Modernism • Academicism • Speculative cinema • History of collections • Дмитрий Жилинский • Kazan railway station • Museum of Painterly Culture • Russian art • Parody • Type-token distinction • Christianism • Italian Studies • Dmitry Zhilinsky • Nicholas Roerich • Quattrocento • Stucco • ‘Motherland’ • 15th century • Canon • New Objectivity • Post-Impressionism • Berlin Dada • Post-media condition • Marble slab • Book illustration • Weimar art • Statics • Tangible forms • Nostalgia • Peltae pattern • Islamic architectural ornament • Miniature • Post-soviet art • Formula similarity • Pre-Columbian collections • Old masters • ‘Peace’ • Woodcut • Soviet painting • Pre-Columbian art • Print • Nineteenth-century France • Apocalypse • Videographic criticism • Edwardian gift book • Gunch • Livre d’artiste • Venturi • YouTube • Symbols • Medieval mosaic floor • Prophecy • Timur Novikov • Unity of West and East • Post-soviet society • Art history and ethnography • Non finito • Art Nouveau • Easel painting • Compositional axes • Roger Fry • Abstraction • National style • Artistic reception • Nineteenth-century editions • Influence • Monumental painting • Perception • Soviet architectural décor • Soviet painter • Islimi • Art ontology • Film studies • Systems • Celebration of unity • Art ‘before Raphael’ • Allegory of Russia • Contemporary Soviet Art • Visual perception • Allegory for peace • Joseph Margolis • Artie Vierkant • Postcolonial studies • Expressionism • Project Method – Dynamics • Girikh • Richard Wollheim • Eugene Lanceray • Reception • Dogma • Central Asian architectural décor • Proto-Renaissance • Easel Painters’ Society

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, en, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.