Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Book illustration • Roger Fry • Type-token distinction • Celebration of unity • Quattrocento • Videographic criticism • Artistic reception • 15th century • Prophecy • Interpretation • Unity of West and East • Easel Painters’ Society • Non finito • Дмитрий Жилинский • VKHUTEMAS • Post-media condition • Visual perception • Russian art • Soviet painting • Central Asian architectural décor • Art Nouveau • Nicholas Roerich • Expressionism • Statics • Art ‘before Raphael’ • Christianism • YouTube • Art ontology • Miniature • Italian painting • National style • Kazan railway station • Soviet architectural décor • Pre-Columbian art • Gunch • New Objectivity • Museum of Painterly Culture • Easel painting • Symbols • Religion • Academicism • Peltae pattern • Nineteenth-century editions • Timur Novikov • Speculative cinema • Modernism • Islamic architectural ornament • Stucco • Eugene Lanceray • Nostalgia • Film studies • ‘Peace’ • Weimar art • Non-European art exhibitions • Italian Studies • Marble slab • Dmitry Zhilinsky • Livre d’artiste • Postcolonial studies • Art history and ethnography • Girikh • Artie Vierkant • ‘Motherland’ • Medieval mosaic floor • Post-soviet society • Nineteenth-century France • Proto-Renaissance • Canon • Influence • Apocalypse • Contemporary Soviet Art • Systems • Islimi • Richard Wollheim • Edwardian gift book • Dogma • Allegory for peace • Pre-Columbian collections • Abstraction • Monumental painting • Print • Old masters • Berlin Dada • Compositional axes • Shape of water • Soviet painter • History of collections • Post-Impressionism • Venturi • Allegory of Russia • Woodcut • Parody • Project Method – Dynamics • Perception • Bouchot • Formula similarity • Joseph Margolis • Tangible forms • Reception • Post-soviet art

Thema codes AGA • QDT • 1D

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, it, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.