Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Print • Peltae pattern • Tangible forms • Nineteenth-century editions • Дмитрий Жилинский • Soviet painting • Weimar art • Systems • Compositional axes • Post-soviet art • Timur Novikov • Museum of Painterly Culture • Nicholas Roerich • Post-Impressionism • Academicism • Expressionism • Artie Vierkant • Venturi • Allegory of Russia • Kazan railway station • Post-soviet society • Artistic reception • Book illustration • Reception • ‘Motherland’ • Contemporary Soviet Art • Central Asian architectural décor • Speculative cinema • Religion • Formula similarity • Post-media condition • Joseph Margolis • Richard Wollheim • Statics • VKHUTEMAS • Easel Painters’ Society • Pre-Columbian collections • Abstraction • Prophecy • Soviet architectural décor • Medieval mosaic floor • Eugene Lanceray • Canon • Monumental painting • Type-token distinction • ‘Peace’ • Nostalgia • Roger Fry • Quattrocento • Allegory for peace • Woodcut • Russian art • Dogma • Unity of West and East • Videographic criticism • Girikh • New Objectivity • Project Method – Dynamics • Art ontology • Influence • Pre-Columbian art • Non finito • Italian painting • Art history and ethnography • Islamic architectural ornament • Bouchot • Film studies • Nineteenth-century France • Non-European art exhibitions • Easel painting • Art Nouveau • Interpretation • Stucco • Modernism • Visual perception • Art ‘before Raphael’ • Italian Studies • Soviet painter • Parody • Dmitry Zhilinsky • Christianism • Berlin Dada • 15th century • Gunch • History of collections • Marble slab • Miniature • National style • Symbols • YouTube • Shape of water • Edwardian gift book • Proto-Renaissance • Islimi • Perception • Postcolonial studies • Celebration of unity • Old masters • Apocalypse • Livre d’artiste

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, en, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.