Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Allegory of Russia • Central Asian architectural décor • Dogma • History of collections • Nineteenth-century France • Joseph Margolis • Nostalgia • Weimar art • Art history and ethnography • Italian painting • Post-Impressionism • Easel Painters’ Society • Post-soviet art • Type-token distinction • Post-soviet society • Formula similarity • Miniature • Proto-Renaissance • Religion • Artistic reception • Berlin Dada • Quattrocento • Islimi • Nicholas Roerich • Non-European art exhibitions • Russian art • ‘Motherland’ • Compositional axes • Girikh • Print • Monumental painting • Stucco • Reception • Apocalypse • Abstraction • Symbols • Art Nouveau • Edwardian gift book • Easel painting • Project Method – Dynamics • Kazan railway station • Medieval mosaic floor • Interpretation • Post-media condition • Postcolonial studies • Livre d’artiste • Shape of water • Unity of West and East • Speculative cinema • Influence • National style • Pre-Columbian art • Dmitry Zhilinsky • Statics • Old masters • Soviet painter • Visual perception • Non finito • Pre-Columbian collections • Artie Vierkant • Tangible forms • YouTube • Italian Studies • Film studies • Peltae pattern • Art ‘before Raphael’ • Expressionism • Soviet architectural décor • Videographic criticism • Museum of Painterly Culture • Venturi • Book illustration • Bouchot • Gunch • VKHUTEMAS • Woodcut • Allegory for peace • Canon • Richard Wollheim • Contemporary Soviet Art • Art ontology • Eugene Lanceray • ‘Peace’ • Celebration of unity • Prophecy • Marble slab • Islamic architectural ornament • Christianism • Soviet painting • Дмитрий Жилинский • Roger Fry • Nineteenth-century editions • New Objectivity • Modernism • Parody • 15th century • Timur Novikov • Systems • Academicism • Perception

Thema codes AGA • QDT • 1D

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, it, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.