Taking and Denying
Challenging Canons in Arts and Philosophy
open access
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edited by
- Giovanni Argan - Ca' Foscari University of Venice - email
- Maria Redaelli - Ca' Foscari University of Venice - email
- Alexandra Timonina - Ca' Foscari University of Venice - email
Abstract
The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).
Keywords Islimi • Livre d’artiste • Proto-Renaissance • Venturi • Pre-Columbian collections • Nineteenth-century editions • Unity of West and East • Easel Painters’ Society • Influence • New Objectivity • Statics • History of collections • Abstraction • Book illustration • Non finito • Interpretation • Art ‘before Raphael’ • Pre-Columbian art • Dmitry Zhilinsky • Bouchot • Russian art • Artie Vierkant • Visual perception • Post-soviet art • Religion • Dogma • Print • Peltae pattern • Reception • Miniature • Old masters • Systems • Berlin Dada • Canon • Allegory of Russia • Easel painting • Shape of water • Contemporary Soviet Art • Modernism • Weimar art • Christianism • Timur Novikov • Дмитрий Жилинский • Central Asian architectural décor • Non-European art exhibitions • Nostalgia • Art Nouveau • ‘Peace’ • Postcolonial studies • Joseph Margolis • Formula similarity • Art ontology • Soviet architectural décor • National style • Expressionism • Soviet painter • Italian Studies • 15th century • Girikh • Project Method – Dynamics • Richard Wollheim • Academicism • Art history and ethnography • Soviet painting • Kazan railway station • Stucco • Woodcut • Videographic criticism • Medieval mosaic floor • Nineteenth-century France • Symbols • Islamic architectural ornament • Perception • Post-Impressionism • Roger Fry • ‘Motherland’ • Compositional axes • Film studies • Nicholas Roerich • YouTube • Monumental painting • Post-soviet society • Museum of Painterly Culture • Marble slab • Prophecy • Edwardian gift book • Allegory for peace • Celebration of unity • Quattrocento • Parody • Artistic reception • Post-media condition • VKHUTEMAS • Tangible forms • Apocalypse • Type-token distinction • Italian painting • Speculative cinema • Gunch • Eugene Lanceray
Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, it, en
Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.