Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Film studies • Italian painting • Celebration of unity • Tangible forms • Stucco • Venturi • National style • Canon • Nicholas Roerich • ‘Motherland’ • Soviet painter • Allegory of Russia • Academicism • Italian Studies • Nineteenth-century France • Religion • Woodcut • Islimi • Pre-Columbian art • Quattrocento • Art history and ethnography • Symbols • Perception • Art ontology • Proto-Renaissance • Type-token distinction • Medieval mosaic floor • Systems • Post-Impressionism • Artistic reception • Central Asian architectural décor • 15th century • Easel painting • Influence • Pre-Columbian collections • Livre d’artiste • Marble slab • Timur Novikov • Russian art • Nostalgia • Islamic architectural ornament • Weimar art • Non-European art exhibitions • Print • Prophecy • Statics • Interpretation • Parody • Modernism • Reception • Berlin Dada • Non finito • ‘Peace’ • Richard Wollheim • Shape of water • Gunch • Roger Fry • Post-soviet art • History of collections • Museum of Painterly Culture • Dmitry Zhilinsky • Compositional axes • Unity of West and East • Edwardian gift book • Postcolonial studies • Miniature • Eugene Lanceray • VKHUTEMAS • Christianism • Expressionism • Girikh • Easel Painters’ Society • Soviet painting • Dogma • Soviet architectural décor • Contemporary Soviet Art • Allegory for peace • Videographic criticism • Old masters • Speculative cinema • Дмитрий Жилинский • Bouchot • YouTube • Kazan railway station • Joseph Margolis • Project Method – Dynamics • Abstraction • Apocalypse • Artie Vierkant • New Objectivity • Book illustration • Post-media condition • Monumental painting • Art ‘before Raphael’ • Formula similarity • Art Nouveau • Visual perception • Peltae pattern • Nineteenth-century editions • Post-soviet society

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language en, ru, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.