Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Soviet painter • Nineteenth-century editions • Parody • Allegory for peace • Allegory of Russia • History of collections • Artistic reception • VKHUTEMAS • Art ‘before Raphael’ • Religion • Stucco • New Objectivity • Contemporary Soviet Art • ‘Motherland’ • Nineteenth-century France • Speculative cinema • Art Nouveau • Central Asian architectural décor • Academicism • Roger Fry • Timur Novikov • Film studies • Christianism • Soviet architectural décor • Russian art • Reception • Symbols • Soviet painting • Dmitry Zhilinsky • Gunch • Pre-Columbian art • National style • Systems • Islimi • Apocalypse • Shape of water • Berlin Dada • Nostalgia • Non-European art exhibitions • Prophecy • Type-token distinction • Italian painting • Post-soviet art • YouTube • Abstraction • Art ontology • Medieval mosaic floor • Project Method – Dynamics • Post-soviet society • Videographic criticism • Unity of West and East • Easel painting • Marble slab • Post-media condition • Expressionism • Kazan railway station • Canon • Monumental painting • Nicholas Roerich • Visual perception • Compositional axes • Pre-Columbian collections • ‘Peace’ • Islamic architectural ornament • Perception • Non finito • Eugene Lanceray • Dogma • Celebration of unity • Easel Painters’ Society • Edwardian gift book • 15th century • Formula similarity • Venturi • Livre d’artiste • Museum of Painterly Culture • Statics • Book illustration • Weimar art • Richard Wollheim • Proto-Renaissance • Woodcut • Дмитрий Жилинский • Artie Vierkant • Art history and ethnography • Italian Studies • Old masters • Girikh • Bouchot • Post-Impressionism • Interpretation • Peltae pattern • Modernism • Postcolonial studies • Quattrocento • Joseph Margolis • Print • Tangible forms • Influence • Miniature

Thema codes AGA • QDT • 1D

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, en, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.