Il sonno della Storia produce miti

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Campo DC	Valore
dc.identifier	ECF_chapter_7240
dc.contributor.author	Gigante Lorenzo
dc.title	Il sonno della Storia produce miti. Il Seicento e le origini della xilografia
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	The scarce space that Giorgio Vasari dedicates in his Vite to the woodcut technique meant a long exclusion of wood engraving from Italian artistic historiography, a silence that survived its author for at least two centuries. Only from the second half of the 18th century did a debate on the origins of woodcut begin to develop in Italy. However, the void of historiography was partly filled between the 16th and 17th centuries by significant episodes of interest in 15th-century woodcut, linked not so much to their artistic aspect, but rather to their devotional one. The analysis of a series of cases highlights a certain need at the time to deal with the origins of woodcut. Despite the silence of the official treatises, responses offered often surprising results.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-05-13
dc.dateSubmitted	2021-11-25
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-589-6/il-sonno-della-storia-produce-miti/
dc.identifier.doi	10.30687/978-88-6969-588-9/014
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-588-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Giorgio Vasari
dc.subject	Giovanni Baglione
dc.subject	Historiography
dc.subject	Jacopo Ligozzi
dc.subject	Madonna del Fuoco
dc.subject	Miraculous images
dc.subject	Woodcut

Capitolo
open access

Il sonno della Storia produce miti

Il Seicento e le origini della xilografia

Lorenzo Gigante Università Ca’ Foscari Venezia, Italia

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abstract

The scarce space that Giorgio Vasari dedicates in his Vite to the woodcut technique meant a long exclusion of wood engraving from Italian artistic historiography, a silence that survived its author for at least two centuries. Only from the second half of the 18th century did a debate on the origins of woodcut begin to develop in Italy. However, the void of historiography was partly filled between the 16th and 17th centuries by significant episodes of interest in 15th-century woodcut, linked not so much to their artistic aspect, but rather to their devotional one. The analysis of a series of cases highlights a certain need at the time to deal with the origins of woodcut. Despite the silence of the official treatises, responses offered often surprising results.

Pubblicato

13 Maggio 2022

Presentato

25 Novembre 2021

Lingua

ISBN (EBOOK)

978-88-6969-588-9

Keywords: Madonna del Fuoco • Miraculous images • Jacopo Ligozzi • Historiography • Woodcut • Giovanni Baglione • Giorgio Vasari

permalink: http://doi.org/10.30687/978-88-6969-588-9/014

Copyright: © 2022 Lorenzo Gigante. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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