Layers of Venice
Architecture, Arts and Antiquities at Rialto
abstract
The book offers a greater understanding of the multiple layers of meaning that have been superimposed in the course of the Medieval and Modern Ages in the Rialto area. The authors follow the Leitmotiv of the memorial component that each operation of architectural reuse has carried in the history of the church of San Giacomo di Rialto, a building which stands, emblematically, as a sort of architectural relic. Adopting this principle, the book offers an in-depth analysis of the spatial model, the reuse of individual architectural and decorative elements but also, on a larger scale, the different configurations of the urban context (the Rialto market) through the centuries, after repeated destruction, reconstruction and transformation. By adopting this multi-scale approach, the book reveals the key role played by the church in the narrative strategy adopted to perpetually renew the myth of Venice, taking on a conceptual and polysemantic dimension where each component (object, context, meaning, function, image) constitutes an element cultural memory, with each leaving a tangible trace of its own.
Church of San Giacomo at Rialto • Rialto • Reuse of building materials • Bridge of Rialto • Reused materials • Lieu de mémoire • Venetian Renaissance Sculpture • Early modern commercial institutions • High Middle Ages • Giustizia • San Giacomo di Rialto • Marbles • Acqua alta • Early Byzantine Capitals • Urban History • Stones • Venetian Architecture • Trading places • Vigilio Rubini • Venice • Byzantine • Andrea dall’Aquila • Romanesque • Greek cruciform • Venetian Trade Guilds • Medieval architecture • Ancient Roman Capitals • History of Architecture • History of Venice • Early modern trade • Basilica • Medieval • Venetian Republic • Medieval town • Alessandro Vittoria • Concieri • Restoration • Spolia • Banks • Venetian early modern architecture