Fonti, letterature, arti e paesaggi d’Europa
open access | peer reviewed
Presentazione
La collana accoglie studi capaci di offrire un approccio innovativo e originale su generi editoriali della tradizione umanistica europea quali la biografia intellettuale, la storia della letteratura, delle arti maggiori e minori, dell’archeologia e del collezionismo pubblico e privato, o in grado di rispondere a sentite esigenze di ricerche puntuali sulla storia dell’ambiente e del paesaggio. Caratteristiche principali di questo progetto editoriale sono il dialogo profondo tra lingue e discipline, in prospettiva inter- e transculturale, e l’interesse per la documentazione inedita e poco nota, sia che si tratti di ricerche archivistiche sia che riguardi saggi e opere d’autore per i quali si propone la traduzione. La collana nasce con vocazione apertamente internazionale e si offre di divenire il punto di riferimento per ricerche originali su tematiche che, per quanto centrali nella cultura europea, faticano a trovare spazi editoriali che diano loro voce e adeguata visibilità.
Permalink doi.org | e-ISSN 2784-8507 | ISSN 2724-6620 | Lingua en, fr, it | ANCE E260049
Copyright This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- 11 download 192 search
- Appendix
- John Ruskin
- 02 Novembre 2023 | Guide to the Principal Pictures in the Academy of Fine Arts at Venice
- 11 download 171 search
- Editions of the Guide
- Paul Tucker
- 02 Novembre 2023 | Guide to the Principal Pictures in the Academy of Fine Arts at Venice
- 17 download 149 search
- Introduction
- Paul Tucker
- 02 Novembre 2023 | Guide to the Principal Pictures in the Academy of Fine Arts at Venice
- 15 download 137 search
- Part I
- John Ruskin
- 02 Novembre 2023 | Guide to the Principal Pictures in the Academy of Fine Arts at Venice
- 11 download 208 search
- Part II
- John Ruskin
- 02 Novembre 2023 | Guide to the Principal Pictures in the Academy of Fine Arts at Venice
- 10 download 201 search
- Supplementary Texts
- John Ruskin
- 02 Novembre 2023 | Guide to the Principal Pictures in the Academy of Fine Arts at Venice
- 20 download 197 search
- A Family Affair: The High Altar of San Giacomo di Rialto, or Alessandro Vittoria’s Last Work
- Luca Siracusano
- 05 Maggio 2023 | Layers of Venice
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- An Ancient Place without Antiquities. The Rialto as lieu de mémoire
- Myriam Pilutti Namer
- 05 Maggio 2023 | Layers of Venice
- 33 download 248 search
- Appendix
- Francesco Turio Böhm
- 05 Maggio 2023 | Layers of Venice
- 31 download 227 search
- Layers of Memory: On an Urban, Architectural, Sculptural Scale (Spolia)
- Michela Agazzi, Gianmario Guidarelli, Myriam Pilutti Namer
- 05 Maggio 2023 | Layers of Venice
- 38 download 301 search
- Marbles and Stones in the Church of San Giacomo di Rialto
- Lorenzo Lazzarini
- 05 Maggio 2023 | Layers of Venice
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- The Church of San Giacomo di Rialto in the Medieval Era
- Dorothy Collins
- 05 Maggio 2023 | Layers of Venice
- 29 download 227 search
- The Church of San Giacomo di Rialto in the Sixteenth Century: Architecture and Founding Myth of the City
- Gianmario Guidarelli
- 05 Maggio 2023 | Layers of Venice
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- The Early Modern Business Area of the piazza
- Isabella Cecchini
- 05 Maggio 2023 | Layers of Venice
- 48 download 303 search
- The Medieval Rialto: The Transformation of an Area in the Developing City
- Michela Agazzi
- 05 Maggio 2023 | Layers of Venice
- 33 download 275 search
- The Reconstruction of the Church of San Giacomo di Rialto Around 1600. A Documentary Record
- Nicolas Moucheront
- 05 Maggio 2023 | Layers of Venice
- 34 download 511 search
- Amelia Sarah Levetus (1853-1938) e il John Ruskin Club di Vienna dalla sua fondazione fino alla Prima Guerra Mondiale
- Martina Frank
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 18 download 356 search
- Ce qui commence à Calais : l’Europe, terrain de jeu de Ruskin
- André Hélard
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 27 download 318 search
- Division, Juncture, System: Bridges and Bridge-Building in the Work of John Ruskin
- Paul Tucker
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 39 download 495 search
- Edited by Ruskin: Francesca Alexander’s Roadside Songs of Tuscany
- Emma Sdegno
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 27 download 270 search
- Foreword
- Emma Sdegno
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 26 download 407 search
- From Ruskin’s Amiens to Proust’s Venice
- Emily Eells
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 59 download 539 search
- Il mercato antiquariale nella Venezia di Ruskin
- Michela Agazzi
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 17 download 230 search
- Introduction
- Pierre-Henry Frangne
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 39 download 429 search
- John Ruskin and His ‘Witch of Sicily’, Amy Yule
- Stephen Wildman
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 23 download 364 search
- John Ruskin and Kenji Miyazawa
- Yasuo Kawabata
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 24 download 376 search
- John Ruskin and the Europe of Cathedrals
- Claude Reichler
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 26 download 281 search
- John Ruskin, un œil européen
- Pierre-Henry Frangne
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 50 download 392 search
- John Ruskin: un paysage moralisé per il nostro tempo
- Salvatore Settis
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 37 download 436 search
- La corrispondenza epistolare come rete di conoscenza, dibattito e azione
- Andrea Paribeni, Silvia Pedone
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 18 download 279 search
- Never-Land: Europe in 200-Years-Day-Dreaming Togetherness
- Kate Genever, Steve Pool
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 36 download 502 search
- Osservazione e comprensione dal rudere al paesaggio
- Emanuele Morezzi
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 28 download 469 search
- Ruskin in Translation: Versions of Unto this Last in a Few Europeans Languages
- Jean-Yves Tizot
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 28 download 430 search
- Ruskin, Dante e l’Europa romantica
- Giuseppe Sandrini
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 18 download 345 search
- Ruskin’s Islamic Orient and the Formation of a European Ideal
- Mujadad Zaman
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 27 download 416 search
- Ruskin’s Ontology of Architecture
- Pedro Marques de Abreu
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 16 download 361 search
- Songlines: Ruskin and the Roads of Europe
- Howard Hull
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 30 download 334 search
- The Apostle of Beauty: Some Turn-of-the-Century Perceptions of Ruskin in Central and Eastern Europe
- Stuart Eagles
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 84 download 748 search
- The Stones of Venice: Lady Augusta Gregory and John Ruskin
- Eglantina Remport
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
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- Tra nostalgia preindustriale, ghildismo e rinascita nazionale
- Laura Cerasi
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 27 download 532 search
- «Aratra Pentelici» di John Ruskin
- Myriam Pilutti Namer
- 15 Dicembre 2020 | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- 220 download 1064 search
- Guide to the Principal Pictures in the Academy of Fine Arts at Venice
- John Ruskin
- Paul Tucker
- 18 Aprile 2023
- 540 download 2183 search
- Layers of Venice
- Michela Agazzi, Gianmario Guidarelli, Myriam Pilutti Namer
- 05 Maggio 2023
- 1117 download 3380 search
- John Ruskin’s Europe. A Collection of Cross-Cultural Essays
- Emma Sdegno, Martina Frank, Myriam Pilutti Namer, Pierre-Henry Frangne
- 15 Dicembre 2020
Martina Frank, Università Ca’ Foscari Venezia, Italia
Myriam Pilutti Namer, Università Ca’ Foscari Venezia, Italia
Emma Sdegno, Università Ca’ Foscari Venezia, Italia
Comitato scientifico
Malcolm Andrews, University of Kent, UK
Juan Calatrava Escobar, Universidad de Granada, España
Kathleen Christian, Humboldt Universität zu Berlin, Deutschland
Dede Fairchild Ruggles, University of Illinois, USA
Marco Fernandelli, Università degli Studi di Trieste, Italia
Jorge García Sánchez, Universidad Complutense de Madrid, España
Marko Marinčič, Univerza v Ljubljani, Slovenia
Cédric Michon, Université Rennes 2, France
María del Valle Ojeda Calvo, Università Ca’ Foscari Venezia, Italia
Caterina Parigi, Università degli Studi di Genova, Italia
Fabio Saggioro, Università degli Studi di Verona, Italia
Valentina Sapienza, Università Ca’ Foscari Venezia, Italia
Luigi Sperti, Università Ca’ Foscari Venezia, Italia
Francesco Vallerani, Università Ca’ Foscari Venezia, Italia
Per sottoporre una proposta di pubblicazione utilizza il form qui disponibile.
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I costi di pubblicazione sono regolamentati dall’Editore. Tutte le informazioni sono disponibili alla pagina Pubblicare con noi.
La collana adotta, come modalità di peer review di riferimento, la double blind.
Pertanto, le opere pubblicate hanno ottenuto il parere favorevole da parte di almeno due valutatori esperti della materia, attraverso un processo di revisione anonima (double-blind peer review) condotto sotto la responsabilità della Direzione scientifica della collana. I revisori non hanno contatti diretti con gli Autori e appartengono a istituzioni di ricerca diverse da quella cui la collana è affiliata.
È possibile che la collana adotti, in casi più rari, altri tipi di processi di referaggio, come ad esempio la open review, ovvero una revisione non anonima, oppure una revisione mista che coinvolge un membro del Comitato scientifico e un valutatore esterno. Tali opzioni sono determinate dalle caratteristiche specifiche della ricerca oggetto della pubblicazione, o da altri fattori peculiari che determinano la maggior efficacia delle alternative qui segnalate.
La valutazione è svolta in conformità e aderenza ai criteri scientifici, e ai criteri editoriali di completezza bibliografica e coerenza formale di Edizioni Ca’ Foscari.
Politiche di revisione per le singole sezioni:
- Volume/Fascicolo completo: peer review
- Introduzioni, prefazioni: senza peer review
- Monografie | Saggi | Articoli: peer review
- Recensioni: no peer review
- Editoriali: no peer review
Per una descrizione dettagliata del processo, si prega di consultare la pagina: Certificazione scientifica.
Ethical Code of Fonti, letterature, arti e paesaggi d’Europa
Fonti, letterature, arti e paesaggi d’Europa is a peer-reviewed scientific book series whose policy is inspired by the COPE (Committee on Publication Ethics) Ethical Code.
Publisher’s responsibilities
The Publisher must provide the Book Series with adequate resources and the guidance of experts, in order to carry out its role in the most professional way, aiming at the highest quality standard.
The Publisher must have a written agreement that defines the relationship with the owner of the Book Series and/or the Editor-in-Chief. The agreement must comply with the Code of Behavior for Publishers of Scientific Journals, as established by COPE.
The relationship among the Editor-in-Chief, the Advisory Board and the Publisher is based on the principle of publishing independence.
Editors’ responsibilities
The Editor-in-Chief and the Advisory Board of Fonti, letterature, arti e paesaggi d’Europa alone are responsible for the decision to publish the submitted works.
Submitted works, after having been checked for plagiarism by means of the anti-plagiarism software Compilatio that is used by the University and is made available to us, will be sent to at least two reviewers. Final acceptance presumes the implementation of possible amendments, as required by the reviewers and under the supervision of the Fonti, letterature, arti e paesaggi d’Europa Editor-in-Chief.
The Fonti, letterature, arti e paesaggi d’Europa Editor-in-Chief and Advisory Board must evaluate each submitted paper in compliance with the Book Seriesʼ policy, i.e. exclusively on the basis of its scientific content, without discrimination of race, sex, gender, creed, ethnic origin, citizenship, or the scientific, academic and political position of the Authors.
Allegations of misconduct
If the Fonti, letterature, arti e paesaggi d’Europa Editor-in-Chief and Advisory Board notice (or receive notifications of) mistakes or inaccuracies, conflict of interest or plagiarism in a published book, they will immediately warn the Author and the Publisher and will undertake the necessary actions to resolve the issue. They will do their best to correct the published content whenever they are informed that it contains scientific errors or that the authors have committed unethical or illegal acts in connection with their published work. If necessary, they will withdraw the book or publish a recantation.
All complaints are handled in accordance with the guidelines published by the COPE.
Concerns and complaints must be addressed to the following e-mail ecf_support@unive.it. The letter should contain the following information:
- complainant’s personal information;
- title, author(s), publication date, DOI;
- complaint(s);
- declaration that the complainant has no conflict of interest, or declaration of an actual or potential conflict of interest.
Authors’ responsibilities
Stylesheet
Authors must follow the Guidelines for Authors to be downloaded from the Fonti, letterature, arti e paesaggi d’Europa website.
Authors must explicitly state that their work is original in all its parts and that the submitted paper has not been previously published, nor submitted to other publishers, until the entire evaluation process is completed. Since no paper or book gets published without significant revision, earlier dissemination in conference proceedings or working papers does not preclude consideration for publication, but Authors are expected to fully disclose publication/dissemination of the material in other closely related publications, so that the overlap can be evaluated by the Fonti, letterature, arti e paesaggi d’Europa Editor-in-Chief.
Authorship
Authors are strongly encouraged to use their ORCID iD when submitting a manuscript. This will ensure the authors’ visibility and correct citation of their work.
Authorship must be correctly attributed; all those who have given a substantial contribution to the design, organisation and accomplishment of the research the book is based on, must be indicated as Co-Authors. Please ensure that: the order of the author names is correct; the names of all authors are present and correctly spelled, and that affiliations are up-to-date.
The respective roles of each co-author should be described in a footnote. The statement that all authors have approved the final version should be included in the disclosure.
Conflicts of interest and financing
Authors, under their own responsibility, must avoid any conflict of interest affecting the results obtained or the interpretations suggested. The Fonti, letterature, arti e paesaggi d’Europa Editor-in-Chief will give serious and careful consideration to suggestions of cases in which, due to possible conflict of interest, an Author’s work should not be reviewed by a specific scholar. Authors should indicate any financing agency or the project the book stems from.
Quotations
Authors must see to it that all works consulted be properly quoted. If works or words of others are used, they have to be properly paraphrased or duly quoted. Quotations between “double quotes” (or «angled quotation marks» if the text is written in a language other than English) must reproduce the exact wording of the source; under their own responsibility, Authors should carefully refrain from disguising a restyling of the source’s wording, as though it was the original formulation.
Any form of excessive, inappropriate or unnecessary self-citation, as well as any other form of citation manipulation, are strongly discouraged.
Ethical Committee
Whenever required, the research protocols must be authorised in advance by the Ethical Committee of Ca’ Foscari University of Venice.
Emendations
When Authors find a mistake or an inaccuracy in their own work, they must immediately warn the Fonti, letterature, arti e paesaggi d’Europa Editor-in-Chief, providing all the information needed to make the due adjustments.
Reviewers’ responsibilities
Goal
By means of the peer-review procedure, reviewers assist the Fonti, letterature, arti e paesaggi d’Europa Editor-in-Chief and Advisory Board in taking decisions on the submitted works. They are expected to offer the Authors suggestions as to possible adjustments aimed at improving their contribution submission.
Timing and conflicts of interest
If a reviewer does not feel up to the task of doing a given review, or if she/he is unable to read the work within the agreed schedule, she/he should notify the Fonti, letterature, arti e paesaggi d’Europa Editor-in-Chief. Reviewers must not accept texts for which there is a conflict of interest due to previous contributions or to a competition with a disclosed author (or with an author they believe to have identified).
Confidentiality
The content of the reviewed work must be considered confidential and must not be used without explicit authorisation by the Author, who is to be contacted via the editor-in-chief. Any confidential information obtained during the peer review process should not be used for other purposes.
Collaborative attitude
Reviewers should see themselves not as adversaries but as advocates for the field. Any comment must be done in a collaborative way and from an objective point of view. Reviewers should clearly motivate their comments and keep in mind the Golden Rule of Reviewing: “Review for others as you would have others review for you”.
Plagiarism
Reviewers should report any similarity or overlapping of the work under analysis with other works known to them.