Collana |
Fonti, letterature, arti e paesaggi d’Europa
Miscellanea | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
Capitolo | Amelia Sarah Levetus (1853-1938) e il John Ruskin Club di Vienna dalla sua fondazione fino alla Prima Guerra Mondiale
Amelia Sarah Levetus (1853-1938) e il John Ruskin Club di Vienna dalla sua fondazione fino alla Prima Guerra Mondiale
- Martina Frank - Università Ca’ Foscari Venezia, Italia - email orcid profile
Abstract
Born in Birmingham and living in Vienna since 1893, Amelia Sarah Levetus devoted her life to facilitating the mediation between Austrian and British culture, finding a vital connection between the two countries in the thought of John Ruskin. In addition to its intense publishing activities as Vienna correspondent for The Studio magazine. An illustrated magazine Magazine of Fine and Applied Arts, Levetus was strongly committed to adult education. She was a founding member of Volksheim, the people’s university, where she taught English language courses and where the John Ruskin Club was founded in 1903. This contribution traces the activity of Amelia Sarah Levetus up to the First World War and places it in the broader debate on architecture and the figurative and applied arts.
open access
Pubblicato 15 Dicembre 2020 | Lingua: it
Keywords Adult Education • Amelia Sarah Levetus • Anglo-Austrian Cultural Relationship • Magazine “The Studio” • Arts and Crafts Schools • Arts and Crafts Movement
Copyright © 2020 Martina Frank. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY-NC-ND). The use, distribution or reproduction is permitted in unadapted form only and provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. You may not use the material for commercial purposes. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-487-5/009
- John Ruskin: un paysage moralisé per il nostro tempo
- Salvatore Settis
- 15 Dicembre 2020
- Foreword
- Emma Sdegno
- 15 Dicembre 2020
- Introduction
- Pierre-Henry Frangne
- 15 Dicembre 2020
Ruskin: A European Aesthetic?
-
John Ruskin, un œil européen
La photographie, la peinture, l’écriture et l’énigme de la visibilité - Pierre-Henry Frangne
- 15 Dicembre 2020
-
Osservazione e comprensione dal rudere al paesaggio
Unità morfologica e verità estetica negli scritti di John Ruskin - Emanuele Morezzi
- 15 Dicembre 2020
-
«Aratra Pentelici» di John Ruskin
Insegnare l’arte greca dopo Winckelmann - Myriam Pilutti Namer
- 15 Dicembre 2020
-
La corrispondenza epistolare come rete di conoscenza, dibattito e azione
Le riflessioni sulle arti e sulla tutela di Philip Webb, Giacomo Boni e John Ruskin - Andrea Paribeni, Silvia Pedone
- 15 Dicembre 2020
- Ruskin’s Ontology of Architecture
- Pedro Marques de Abreu
- 15 Dicembre 2020
- Amelia Sarah Levetus (1853-1938) e il John Ruskin Club di Vienna dalla sua fondazione fino alla Prima Guerra Mondiale
- Martina Frank
- 15 Dicembre 2020
The Centres of Ruskin’s Europe
- Ce qui commence à Calais : l’Europe, terrain de jeu de Ruskin
- André Hélard
- 15 Dicembre 2020
- Division, Juncture, System: Bridges and Bridge-Building in the Work of John Ruskin
- Paul Tucker
- 15 Dicembre 2020
- John Ruskin and the Europe of Cathedrals
- Claude Reichler
- 15 Dicembre 2020
-
Il mercato antiquariale nella Venezia di Ruskin
L’arte medievale in Germania - Michela Agazzi
- 15 Dicembre 2020
- John Ruskin and His ‘Witch of Sicily’, Amy Yule
- Stephen Wildman
- 15 Dicembre 2020
- Songlines: Ruskin and the Roads of Europe
- Howard Hull
- 15 Dicembre 2020
Literary Intersections
- Ruskin, Dante e l’Europa romantica
- Giuseppe Sandrini
- 15 Dicembre 2020
- The Stones of Venice: Lady Augusta Gregory and John Ruskin
- Eglantina Remport
- 15 Dicembre 2020
-
From Ruskin’s Amiens to Proust’s Venice
Reflections on the Diapered Screen - Emily Eells
- 15 Dicembre 2020
- Edited by Ruskin: Francesca Alexander’s Roadside Songs of Tuscany
- Emma Sdegno
- 15 Dicembre 2020
- Ruskin’s Islamic Orient and the Formation of a European Ideal
- Mujadad Zaman
- 15 Dicembre 2020
-
John Ruskin and Kenji Miyazawa
An Idea of Nomin-Geijutsu (Peasant Art) and its European Legacy - Yasuo Kawabata
- 15 Dicembre 2020
Culture and Society in Europe According to Ruskin
-
Tra nostalgia preindustriale, ghildismo e rinascita nazionale
Il pensiero sociale di Ruskin nel dibattito culturale italiano - Laura Cerasi
- 15 Dicembre 2020
-
Ruskin in Translation: Versions of Unto this Last in a Few Europeans Languages
Toward a Reception History of John Ruskin’s Social Thought - Jean-Yves Tizot
- 15 Dicembre 2020
- The Apostle of Beauty: Some Turn-of-the-Century Perceptions of Ruskin in Central and Eastern Europe
- Stuart Eagles
- 15 Dicembre 2020
Appendix
- Never-Land: Europe in 200-Years-Day-Dreaming Togetherness
- Kate Genever, Steve Pool
- 15 Dicembre 2020
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_5290 |
|
dc.contributor.author |
Frank Martina |
|
dc.title |
Amelia Sarah Levetus (1853-1938) e il John Ruskin Club di Vienna dalla sua fondazione fino alla Prima Guerra Mondiale |
|
dc.type |
Capitolo |
|
dc.language.iso |
it |
|
dc.description.abstract |
Born in Birmingham and living in Vienna since 1893, Amelia Sarah Levetus devoted her life to facilitating the mediation between Austrian and British culture, finding a vital connection between the two countries in the thought of John Ruskin. In addition to its intense publishing activities as Vienna correspondent for The Studio magazine. An illustrated magazine Magazine of Fine and Applied Arts, Levetus was strongly committed to adult education. She was a founding member of Volksheim, the people’s university, where she taught English language courses and where the John Ruskin Club was founded in 1903. This contribution traces the activity of Amelia Sarah Levetus up to the First World War and places it in the broader debate on architecture and the figurative and applied arts. |
|
dc.relation.ispartof |
Fonti, letterature, arti e paesaggi d’Europa |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2020-12-15 |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-488-2/amelia-sarah-levetus-1853-1938-e-il-john-ruskin-cl/ |
|
dc.identifier.doi |
10.30687/978-88-6969-487-5/009 |
|
dc.identifier.issn |
2724-6620 |
|
dc.identifier.eissn |
2784-8507 |
|
dc.identifier.isbn |
978-88-6969-488-2 |
|
dc.identifier.eisbn |
978-88-6969-487-5 |
|
dc.rights |
Creative Commons 4.0 Attribution + Noncommercial + NoDerivatives |
|
dc.rights.uri |
http://creativecommons.org/licenses/by-nc-nd/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Adult Education |
|
dc.subject |
Adult Education |
|
dc.subject |
Amelia Sarah Levetus |
|
dc.subject |
Amelia Sarah Levetus |
|
dc.subject |
Anglo-Austrian Cultural Relationship |
|
dc.subject |
Anglo-Austrian Cultural Relationship |
|
dc.subject |
Arts and Crafts Movement |
|
dc.subject |
Arts and Crafts Movement |
|
dc.subject |
Arts and Crafts Schools |
|
dc.subject |
Arts and Crafts Schools |
|
dc.subject |
Magazine “The Studio” |
|
dc.subject |
Magazine “The Studio” |
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