Layers of Venice

Architecture, Arts and Antiquities at Rialto

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Abstract

The book offers a greater understanding of the multiple layers of meaning that have been superimposed in the course of the Medieval and Modern Ages in the Rialto area. The authors follow the Leitmotiv of the memorial component that each operation of architectural reuse has carried in the history of the church of San Giacomo di Rialto, a building which stands, emblematically, as a sort of architectural relic. Adopting this principle, the book offers an in-depth analysis of the spatial model, the reuse of individual architectural and decorative elements but also, on a larger scale, the different configurations of the urban context (the Rialto market) through the centuries, after repeated destruction, reconstruction and transformation. By adopting this multi-scale approach, the book reveals the key role played by the church in the narrative strategy adopted to perpetually renew the myth of Venice, taking on a conceptual and polysemantic dimension where each component (object, context, meaning, function, image) constitutes an element cultural memory, with each leaving a tangible trace of its own.

Keywords Reuse of building materialsTrading placesGiustiziaLieu de mémoireVigilio RubiniRomanesqueConcieriMedieval townUrban HistoryChurch of San Giacomo at RialtoBridge of RialtoVeniceEarly Byzantine CapitalsStonesVenetian early modern architectureVenetian Renaissance SculptureEarly modern commercial institutionsBanksAncient Roman CapitalsAcqua altaMedievalMedieval architectureHigh Middle AgesEarly modern tradeBasilicaReused materialsHistory of ArchitectureVenetian ArchitectureByzantineSpoliaAlessandro VittoriaMarblesVenetian Trade GuildsHistory of VeniceRestorationSan Giacomo di RialtoVenetian RepublicAndrea dall’AquilaRialtoGreek cruciform

Permalink http://doi.org/10.30687/978-88-6969-729-6 | e-ISBN 978-88-6969-729-6 | ISBN (PRINT) 978-88-6969-670-1 | Numero pagine 184 | Dimensioni 24x22cm | Pubblicato 05 Maggio 2023 | Lingua en