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Capitolo | Between Crisis and Critique: A Consideration About Montage Starting from Walter Benjamin

Between Crisis and Critique: A Consideration About Montage Starting from Walter Benjamin

Abstract

Considering the etymological bond that links Crisis and Critique and reflecting on some important fragments of Walter Benjamin’s Arcades Project, the paper intends to propose a consideration about montage, conceived both as an epistemic principle and as an hermeneutic method aimed at the implementation of a cognitive practice to be understood in experimental terms, based on the heuristic quality of images and on the mobilization of heterogeneous times and iconic materials.


Open access

Presentato: 01 Ottobre 2024 | Pubblicato 11 Dicembre 2024 | Lingua: en

Keywords Legibility • History • Anachronism • Figurability • Dialectical image • Montage

Copyright © 2024 Marco Ortenzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-878-1/011


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