Eurasiatica

Quaderni di studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale

Armenian Art in Iran

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Abstract

This volume reassesses Armenian art in Iran through the interpretive frameworks of transculturality, connected histories, and cultural entanglement. Contributions by Patrick Donabédian, Levon Chookaszian, Maurizio Boriani, Andreh Marouti, Marco Brambilla, and Talinn Grigor explore architecture, monumental painting, funerary monuments, heritage conservation, and modern architecture, demonstrating that Armenian artistic production in Iran developed through continuous interaction with Persian, Caucasian, Mediterranean, and European traditions. Moving beyond national paradigms, the volume presents Armenian art as a dynamic process of cultural co-creation that reshaped identities over two millennia and offers a new perspective on artistic exchange across Eurasia.

Keywords Architectural ConservationLast JudgementTransculturalityModern Armenian churchesPreservation ChallengesBlind colonnade‑arcadeCoronation of Virgin Mary and childConnected HistoriesSalmastPaul ApcarArmenian architectsArmenian ChurchesSassanian dome on square via squinchesNorth-Iranian tomb towersIranian influence on Armenian art and architectureInternational CooperationSt Sargis and MartirosVardan HovhannisianTree of LifeCrossKhachkars of Old JulfaElements of Armenian church designCultural EntanglementAdam and EveSafavid churchesReticulated pendentives and bandsUrban and rural churchesTombstone SymbolsHaftvanWall paintingsWest Azerbaijan TourismRectangular Block TombstonesSt George and DragonArmenian churchesIranSassanian iconographic and ornamental themesRamGabriel GuevrekianYougenia AftandiliansArevakhachCombined TombstonesNew Uses for Old BuildingsArmenian churches of New Julfa<br>Armenian ArtSt George churchSlab Tombstones

Thema codes AGAAMXNHTB11FBN1DTV

Permalink http://doi.org/10.30687/979-12-5742-061-1 | e-ISBN 979-12-5742-061-1 | ISBN (PRINT) 979-12-5742-080-2 | Pubblicato 16 Luglio 2026 | Lingua en