Eurasian Studies

Balkans, Anatolia, Iran, Caucasus and Central Asia Studies Notebooks

Armenian Art in Iran

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Abstract
This volume reassesses Armenian art in Iran through the interpretive frameworks of transculturality, connected histories, and cultural entanglement. Contributions by Patrick Donabédian, Levon Chookaszian, Maurizio Boriani, Andreh Marouti, Marco Brambilla, and Talinn Grigor explore architecture, monumental painting, funerary monuments, heritage conservation, and modern architecture, demonstrating that Armenian artistic production in Iran developed through continuous interaction with Persian, Caucasian, Mediterranean, and European traditions. Moving beyond national paradigms, the volume presents Armenian art as a dynamic process of cultural co-creation that reshaped identities over two millennia and offers a new perspective on artistic exchange across Eurasia.

Keywords Sassanian iconographic and ornamental themesSt George and Dragon<br>Yougenia AftandiliansIranian influence on Armenian art and architectureRamArmenian churches of New JulfaAdam and EveArmenian ChurchesWest Azerbaijan TourismArevakhachBlind colonnade‑arcadeCultural EntanglementUrban and rural churchesSt George churchLast JudgementWall paintingsArchitectural ConservationConnected HistoriesCrossTree of LifeArmenian churchesCoronation of Virgin Mary and childPreservation ChallengesHaftvanKhachkars of Old JulfaSafavid churchesInternational CooperationSassanian dome on square via squinchesReticulated pendentives and bandsArmenian ArtVardan HovhannisianModern Armenian churchesPaul ApcarSalmastNorth-Iranian tomb towersElements of Armenian church designArmenian architectsSlab TombstonesSt Sargis and MartirosNew Uses for Old BuildingsTransculturalityTombstone SymbolsCombined TombstonesGabriel GuevrekianIranRectangular Block Tombstones

Thema codes AGAAMXNHTB11FBN1DTV

Permalink http://doi.org/10.30687/979-12-5742-061-1 | e-ISBN 979-12-5742-061-1 | ISBN (PRINT) 979-12-5742-080-2 | Published July 16, 2026 | Language en