Eurasian Studies

Balkans, Anatolia, Iran, Caucasus and Central Asia Studies Notebooks

Armenian Art in Iran

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Abstract
This volume reassesses Armenian art in Iran through the interpretive frameworks of transculturality, connected histories, and cultural entanglement. Contributions by Patrick Donabédian, Levon Chookaszian, Maurizio Boriani, Andreh Marouti, Marco Brambilla, and Talinn Grigor explore architecture, monumental painting, funerary monuments, heritage conservation, and modern architecture, demonstrating that Armenian artistic production in Iran developed through continuous interaction with Persian, Caucasian, Mediterranean, and European traditions. Moving beyond national paradigms, the volume presents Armenian art as a dynamic process of cultural co-creation that reshaped identities over two millennia and offers a new perspective on artistic exchange across Eurasia.

Keywords Tombstone SymbolsSalmastArmenian architectsElements of Armenian church designCultural EntanglementHaftvanArmenian ArtPreservation ChallengesWall paintingsCoronation of Virgin Mary and childRamModern Armenian churchesArevakhachWest Azerbaijan TourismTransculturalityInternational CooperationSassanian iconographic and ornamental themesConnected HistoriesVardan HovhannisianArchitectural ConservationSt George churchSlab TombstonesUrban and rural churchesIranSassanian dome on square via squinchesTree of LifeIranian influence on Armenian art and architectureArmenian ChurchesCrossSt George and DragonArmenian churches of New JulfaKhachkars of Old JulfaGabriel GuevrekianPaul ApcarYougenia Aftandilians<br>Armenian churchesCombined TombstonesAdam and EveBlind colonnade‑arcadeLast JudgementNorth-Iranian tomb towersNew Uses for Old BuildingsReticulated pendentives and bandsSt Sargis and MartirosRectangular Block TombstonesSafavid churches

Thema codes AGAAMXNHTB11FBN1DTV

Permalink http://doi.org/10.30687/979-12-5742-061-1 | e-ISBN 979-12-5742-061-1 | ISBN (PRINT) 979-12-5742-080-2 | Published July 16, 2026 | Language en