Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Nicolò Manucci • ʿIshrat-nāma • Dervishes • Connected History & Global History • Historical musicology • Sufi Music • Body • Scholars’ network • Mevlevî Ceremonies • Takahashi Gen’ichirō • Chinese literati • Identity • Dah-nāma • Society • Rupture Movement • Contemporary Chinese literature • Japan and Okinawa • Colonial gaze • Chinese rural-urban migrants • Market economy • Food piracy • Transaction costs • Chinese fansubbing • Contemporary Chinese art • Pāli • Armenian Literature • Maqām/makam/mughām • Indian Painting • Modern Art Criticism • ‘Three perfections’ • Intellectual History • Made-in-Italy food • Performance • Intermediality • Information asymmetry • Contemporary Japanese Literature • Non-professional translation • Learning • Self-rotation • Globalisation • Elena Ferrante • 3/11 Literature • Manomaya-kāya • Othering • Mevlevî Dervishes • Society as a whole • Didactics of Arabic to non-Arabic-speaking • Japonisme • Imaginative geographies • Chinese market • Ottoman Classical Music • US-occupied Okinawa • Debt Relief • Uzun Ḥasan • Dervish Ceremonies • History of music in the Middle East • Dolls as metaphors • Khalīl b • Mamluk period • Textual Criticism • Gomorra-La serie • Ernesto de Martino • Correspondence • Italian sounding • Ajavilāpa • Parody • Hino Ashihei • Graffiti • Kwanyin Clan • Funerary lament in ancient world • Shiraz • La figlia oscura • Western Travels History • Veda • Arabic language • Aq-Quyūnlū • Xu Zechen • Nation-state • The social • Civil society • Algeria • Arabic linguistics • Urban literature • Halo construct • Eznik of Kołb • Spectatorship • Chinese Values • Art Collecting • Euphemism • ʿInāyat-Allāh Beg • Ottoman History • The state • Chinese Middle-class Consumers • World Bank • Agricultural trade • Linguistic taboo • History of Sufism • Upaniṣad • Terayama Shūji • Methodius of Olympus • Literature analysis • History of music in Central Asia • Mode • South Asian Art • Tammām Ḥassān • International Monetary Fund • Buddhism • ʿAishī Shīrāzī • Orientalism • Possessive Individualism • Taḏawwuq adabī • Japanese Cinema • Inanimate objects in literature • Abhiññā • Fin-de-siècle Italy • Adverse selection • Washington Consensus • Raghuvaṃśa • Iddhi • Connected History & Global History

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua fr, en, it

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