Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Washington Consensus • Intermediality • Connected History & Global History • Pāli • Inanimate objects in literature • Fin-de-siècle Italy • Ottoman Classical Music • Contemporary Japanese Literature • Maqām/makam/mughām • Chinese market • Nation-state • Italian sounding • Graffiti • Didactics of Arabic to non-Arabic-speaking • Khalīl b • Algeria • Intellectual History • Takahashi Gen’ichirō • International Monetary Fund • Civil society • Funerary lament in ancient world • Arabic linguistics • Kwanyin Clan • Ottoman History • The social • History of music in Central Asia • 3/11 Literature • Body • Japan and Okinawa • Chinese fansubbing • Market economy • ʿIshrat-nāma • Chinese Middle-class Consumers • Elena Ferrante • ʿAishī Shīrāzī • Orientalism • Veda • Correspondence • Literature analysis • Ernesto de Martino • Debt Relief • Hino Ashihei • Contemporary Chinese literature • Society • Methodius of Olympus • Urban literature • Buddhism • Contemporary Chinese art • Self-rotation • Imaginative geographies • Globalisation • Gomorra-La serie • ʿInāyat-Allāh Beg • Linguistic taboo • Aq-Quyūnlū • Historical musicology • Colonial gaze • South Asian Art • Halo construct • Uzun Ḥasan • Japonisme • World Bank • Possessive Individualism • Iddhi • Chinese literati • Manomaya-kāya • Dervishes • Upaniṣad • Scholars’ network • Taḏawwuq adabī • Nicolò Manucci • Terayama Shūji • US-occupied Okinawa • Learning • Western Travels History • Non-professional translation • Tammām Ḥassān • Mode • Adverse selection • Mevlevî Dervishes • Performance • History of Sufism • Chinese Values • Art Collecting • ‘Three perfections’ • The state • Abhiññā • Othering • Rupture Movement • Mamluk period • Made-in-Italy food • Raghuvaṃśa • Identity • Textual Criticism • History of music in the Middle East • Armenian Literature • Mevlevî Ceremonies • Shiraz • Spectatorship • La figlia oscura • Agricultural trade • Ajavilāpa • Dervish Ceremonies • Xu Zechen • Transaction costs • Arabic language • Sufi Music • Modern Art Criticism • Indian Painting • Dolls as metaphors • Food piracy • Japanese Cinema • Eznik of Kołb • Euphemism • Connected History & Global History • Parody • Society as a whole • Chinese rural-urban migrants • Dah-nāma • Information asymmetry

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua en, fr, it

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