Rivista |
Annali di Ca’ Foscari. Serie orientale
Fascicolo | 55 | 2019
Keywords Contemporary Chinese literature • Algeria • Literature analysis • Identity • Society as a whole • Dah-nāma • History of music in Central Asia • Khalīl b • Kwanyin Clan • Arabic linguistics • Buddhism • Possessive Individualism • ʿIshrat-nāma • ‘Three perfections’ • Market economy • Halo construct • Performance • Taḏawwuq adabī • Manomaya-kāya • Upaniṣad • Dolls as metaphors • Transaction costs • ʿInāyat-Allāh Beg • International Monetary Fund • Abhiññā • Adverse selection • US-occupied Okinawa • Learning • Chinese market • Japonisme • Made-in-Italy food • World Bank • Scholars’ network • Inanimate objects in literature • Contemporary Japanese Literature • Imaginative geographies • Ottoman History • Dervishes • The social • Gomorra-La serie • Japanese Cinema • Colonial gaze • Civil society • Hino Ashihei • Italian sounding • Globalisation • Ottoman Classical Music • Chinese rural-urban migrants • Mevlevî Ceremonies • Maqām/makam/mughām • Funerary lament in ancient world • The state • Rupture Movement • Methodius of Olympus • Euphemism • Elena Ferrante • Ernesto de Martino • Textual Criticism • Pāli • Japan and Okinawa • History of music in the Middle East • Chinese Values • Nicolò Manucci • Art Collecting • South Asian Art • Intermediality • Sufi Music • Debt Relief • Eznik of Kołb • Shiraz • Fin-de-siècle Italy • Chinese literati • Didactics of Arabic to non-Arabic-speaking • Parody • Ajavilāpa • Othering • Armenian Literature • Historical musicology • 3/11 Literature • Washington Consensus • Urban literature • Arabic language • Chinese Middle-class Consumers • Society • Intellectual History • La figlia oscura • Nation-state • Mevlevî Dervishes • Self-rotation • Tammām Ḥassān • Non-professional translation • Information asymmetry • Connected History & Global History • Chinese fansubbing • Terayama Shūji • Graffiti • Orientalism • Food piracy • Spectatorship • Xu Zechen • Aq-Quyūnlū • Mamluk period • Contemporary Chinese art • History of Sufism • Indian Painting • Body • Uzun Ḥasan • Correspondence • Modern Art Criticism • Takahashi Gen’ichirō • Veda • ʿAishī Shīrāzī • Connected History & Global History • Mode • Dervish Ceremonies • Raghuvaṃśa • Iddhi • Western Travels History • Agricultural trade • Linguistic taboo
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua fr, it, en
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