Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Takahashi Gen’ichirō • Halo construct • Made-in-Italy food • Intellectual History • Armenian Literature • Ernesto de Martino • Literature analysis • Othering • The social • Textual Criticism • Ajavilāpa • Dervishes • Urban literature • Abhiññā • Chinese rural-urban migrants • Fin-de-siècle Italy • Historical musicology • Inanimate objects in literature • Transaction costs • Japonisme • Society as a whole • Civil society • ʿIshrat-nāma • Contemporary Japanese Literature • History of music in Central Asia • Intermediality • Debt Relief • The state • Society • Khalīl b • Food piracy • South Asian Art • Self-rotation • Chinese fansubbing • Tammām Ḥassān • History of Sufism • Pāli • Mode • Chinese Middle-class Consumers • Performance • History of music in the Middle East • Upaniṣad • Art Collecting • Chinese literati • Buddhism • US-occupied Okinawa • Modern Art Criticism • Chinese Values • Arabic linguistics • Hino Ashihei • Nation-state • Veda • Ottoman Classical Music • Market economy • Body • Contemporary Chinese literature • Linguistic taboo • Dolls as metaphors • Mevlevî Dervishes • Washington Consensus • Contemporary Chinese art • Connected History & Global History • Italian sounding • Adverse selection • Graffiti • Information asymmetry • ʿInāyat-Allāh Beg • Algeria • Learning • Japanese Cinema • Didactics of Arabic to non-Arabic-speaking • Gomorra-La serie • International Monetary Fund • Identity • ʿAishī Shīrāzī • Eznik of Kołb • Colonial gaze • Scholars’ network • Western Travels History • Euphemism • Shiraz • Ottoman History • Xu Zechen • Parody • Arabic language • Possessive Individualism • World Bank • Manomaya-kāya • Funerary lament in ancient world • Correspondence • Dervish Ceremonies • Spectatorship • Imaginative geographies • Terayama Shūji • Chinese market • Agricultural trade • Mevlevî Ceremonies • Taḏawwuq adabī • Globalisation • Connected History & Global History • 3/11 Literature • Iddhi • Dah-nāma • Kwanyin Clan • Elena Ferrante • La figlia oscura • Uzun Ḥasan • Methodius of Olympus • Rupture Movement • ‘Three perfections’ • Mamluk period • Aq-Quyūnlū • Indian Painting • Nicolò Manucci • Sufi Music • Non-professional translation • Raghuvaṃśa • Maqām/makam/mughām • Orientalism • Japan and Okinawa

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language fr, en, it

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