Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords 3/11 Literature • Correspondence • Civil society • Performance • Eznik of Kołb • Literature analysis • Algeria • Market economy • Contemporary Chinese art • ʿInāyat-Allāh Beg • Fin-de-siècle Italy • ʿAishī Shīrāzī • Society • Aq-Quyūnlū • Khalīl b • Nation-state • Rupture Movement • Sufi Music • Made-in-Italy food • South Asian Art • Italian sounding • Adverse selection • Transaction costs • Art Collecting • History of music in Central Asia • Chinese rural-urban migrants • Information asymmetry • Agricultural trade • Taḏawwuq adabī • Ottoman History • Modern Art Criticism • La figlia oscura • Methodius of Olympus • Funerary lament in ancient world • Chinese market • International Monetary Fund • History of Sufism • Indian Painting • Iddhi • Possessive Individualism • Manomaya-kāya • Orientalism • Western Travels History • Parody • Chinese Values • Intermediality • Didactics of Arabic to non-Arabic-speaking • Kwanyin Clan • Identity • Hino Ashihei • Shiraz • Spectatorship • Ernesto de Martino • Chinese literati • Graffiti • History of music in the Middle East • Mamluk period • Halo construct • Chinese fansubbing • World Bank • Dervishes • Japan and Okinawa • Society as a whole • Pāli • The state • Nicolò Manucci • Connected History & Global History • Self-rotation • Mode • ‘Three perfections’ • Uzun Ḥasan • Dervish Ceremonies • Non-professional translation • Inanimate objects in literature • Learning • US-occupied Okinawa • Contemporary Chinese literature • Mevlevî Dervishes • Body • Globalisation • Terayama Shūji • Urban literature • Textual Criticism • Arabic linguistics • Japonisme • Chinese Middle-class Consumers • Ottoman Classical Music • Debt Relief • Washington Consensus • Linguistic taboo • Othering • Xu Zechen • Upaniṣad • Veda • Food piracy • Scholars’ network • Contemporary Japanese Literature • Raghuvaṃśa • Buddhism • Tammām Ḥassān • Armenian Literature • Imaginative geographies • The social • Intellectual History • Gomorra-La serie • Ajavilāpa • ʿIshrat-nāma • Connected History & Global History • Dah-nāma • Colonial gaze • Maqām/makam/mughām • Euphemism • Abhiññā • Dolls as metaphors • Japanese Cinema • Historical musicology • Takahashi Gen’ichirō • Arabic language • Mevlevî Ceremonies • Elena Ferrante

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language it, fr, en

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