Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords International Monetary Fund • Imaginative geographies • Mode • Euphemism • Scholars’ network • Correspondence • Khalīl b • Dolls as metaphors • Food piracy • Connected History & Global History • The state • Nation-state • Identity • Arabic linguistics • ʿAishī Shīrāzī • Aq-Quyūnlū • Arabic language • Society • Terayama Shūji • Textual Criticism • Mevlevî Ceremonies • Market economy • ‘Three perfections’ • Shiraz • Funerary lament in ancient world • Information asymmetry • Gomorra-La serie • Buddhism • Didactics of Arabic to non-Arabic-speaking • Possessive Individualism • Art Collecting • Rupture Movement • Tammām Ḥassān • Taḏawwuq adabī • Chinese Values • Iddhi • US-occupied Okinawa • Ajavilāpa • Agricultural trade • Spectatorship • Dah-nāma • Japan and Okinawa • Indian Painting • Contemporary Japanese Literature • Nicolò Manucci • Urban literature • Xu Zechen • Methodius of Olympus • Adverse selection • Hino Ashihei • Learning • Ottoman History • Raghuvaṃśa • Manomaya-kāya • ʿInāyat-Allāh Beg • Armenian Literature • Mevlevî Dervishes • Western Travels History • Chinese literati • Contemporary Chinese literature • Chinese fansubbing • Contemporary Chinese art • Halo construct • La figlia oscura • Uzun Ḥasan • The social • Chinese Middle-class Consumers • History of music in Central Asia • Parody • Body • Ernesto de Martino • Made-in-Italy food • Graffiti • Linguistic taboo • Maqām/makam/mughām • History of Sufism • Mamluk period • Transaction costs • Colonial gaze • Intellectual History • Veda • Intermediality • Modern Art Criticism • Orientalism • Literature analysis • Society as a whole • Upaniṣad • Pāli • 3/11 Literature • Algeria • Japanese Cinema • Italian sounding • Washington Consensus • Civil society • Non-professional translation • Performance • History of music in the Middle East • Fin-de-siècle Italy • Japonisme • Kwanyin Clan • Self-rotation • World Bank • Chinese market • South Asian Art • Eznik of Kołb • Inanimate objects in literature • Chinese rural-urban migrants • Abhiññā • Takahashi Gen’ichirō • Dervish Ceremonies • Sufi Music • Dervishes • Elena Ferrante • Connected History & Global History • Historical musicology • Othering • Debt Relief • Globalisation • Ottoman Classical Music • ʿIshrat-nāma

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language en, it, fr

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