Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Parody • Intermediality • Tammām Ḥassān • ʿIshrat-nāma • Taḏawwuq adabī • Dolls as metaphors • Art Collecting • Shiraz • International Monetary Fund • Rupture Movement • Literature analysis • Urban literature • Connected History & Global History • Xu Zechen • Ernesto de Martino • Chinese rural-urban migrants • Civil society • ʿAishī Shīrāzī • Orientalism • Ottoman Classical Music • Takahashi Gen’ichirō • Intellectual History • Scholars’ network • Textual Criticism • Ajavilāpa • Mevlevî Ceremonies • Eznik of Kołb • Funerary lament in ancient world • Mamluk period • Ottoman History • Chinese fansubbing • Terayama Shūji • Maqām/makam/mughām • Chinese market • History of Sufism • US-occupied Okinawa • Gomorra-La serie • Graffiti • Linguistic taboo • Raghuvaṃśa • Manomaya-kāya • World Bank • Arabic language • Iddhi • Chinese literati • Non-professional translation • Khalīl b • Abhiññā • Aq-Quyūnlū • Agricultural trade • Society as a whole • The social • Imaginative geographies • ‘Three perfections’ • Chinese Middle-class Consumers • Washington Consensus • Made-in-Italy food • Japan and Okinawa • Correspondence • La figlia oscura • Japonisme • Sufi Music • South Asian Art • Algeria • Food piracy • Buddhism • Dervishes • Didactics of Arabic to non-Arabic-speaking • Elena Ferrante • Body • Connected History & Global History • Historical musicology • Mode • Hino Ashihei • History of music in Central Asia • Information asymmetry • Adverse selection • Western Travels History • The state • Dah-nāma • Indian Painting • Kwanyin Clan • Transaction costs • Contemporary Chinese art • Armenian Literature • Chinese Values • Inanimate objects in literature • Contemporary Chinese literature • Mevlevî Dervishes • Othering • Pāli • Debt Relief • Dervish Ceremonies • Methodius of Olympus • Identity • Euphemism • Self-rotation • ʿInāyat-Allāh Beg • Japanese Cinema • Colonial gaze • Fin-de-siècle Italy • Nation-state • Society • Uzun Ḥasan • Arabic linguistics • Nicolò Manucci • History of music in the Middle East • Market economy • Veda • Contemporary Japanese Literature • Performance • 3/11 Literature • Learning • Spectatorship • Halo construct • Upaniṣad • Italian sounding • Globalisation • Possessive Individualism • Modern Art Criticism

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language en, it, fr

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