Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords US-occupied Okinawa • Armenian Literature • Market economy • Chinese rural-urban migrants • Body • Orientalism • Literature analysis • Arabic language • Sufi Music • ʿAishī Shīrāzī • Indian Painting • Aq-Quyūnlū • Non-professional translation • ʿIshrat-nāma • Mevlevî Dervishes • Chinese literati • Kwanyin Clan • Possessive Individualism • Takahashi Gen’ichirō • Intermediality • Debt Relief • Japanese Cinema • Dolls as metaphors • Dah-nāma • Rupture Movement • Information asymmetry • Connected History & Global History • Maqām/makam/mughām • Nation-state • Elena Ferrante • Art Collecting • Society • Manomaya-kāya • Methodius of Olympus • Made-in-Italy food • Mevlevî Ceremonies • Japonisme • Adverse selection • Identity • Contemporary Chinese art • Gomorra-La serie • History of music in the Middle East • History of music in Central Asia • Globalisation • Othering • History of Sufism • Colonial gaze • Mamluk period • Food piracy • Taḏawwuq adabī • Linguistic taboo • Urban literature • Ottoman Classical Music • Chinese fansubbing • Veda • Chinese Middle-class Consumers • Self-rotation • Mode • Learning • Connected History & Global History • Transaction costs • Historical musicology • South Asian Art • Ernesto de Martino • Western Travels History • Contemporary Japanese Literature • Ottoman History • Terayama Shūji • Italian sounding • Fin-de-siècle Italy • ‘Three perfections’ • Washington Consensus • Chinese Values • Eznik of Kołb • Performance • Graffiti • Ajavilāpa • Didactics of Arabic to non-Arabic-speaking • Halo construct • Spectatorship • Correspondence • Inanimate objects in literature • Xu Zechen • Euphemism • Khalīl b • World Bank • The state • Buddhism • ʿInāyat-Allāh Beg • Society as a whole • Upaniṣad • Arabic linguistics • Civil society • Algeria • Uzun Ḥasan • Contemporary Chinese literature • Pāli • Iddhi • Nicolò Manucci • Funerary lament in ancient world • Chinese market • Scholars’ network • Intellectual History • Imaginative geographies • Shiraz • 3/11 Literature • Dervish Ceremonies • Agricultural trade • La figlia oscura • Hino Ashihei • Dervishes • Raghuvaṃśa • Parody • Modern Art Criticism • Textual Criticism • Abhiññā • Tammām Ḥassān • Japan and Okinawa • The social • International Monetary Fund

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language fr, en, it

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