Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Armenian Literature • Mevlevî Ceremonies • Manomaya-kāya • Veda • Learning • Art Collecting • Chinese market • Pāli • Possessive Individualism • Gomorra-La serie • Italian sounding • Sufi Music • Arabic language • Euphemism • Ajavilāpa • Nicolò Manucci • Spectatorship • Inanimate objects in literature • Civil society • Body • Fin-de-siècle Italy • Aq-Quyūnlū • Food piracy • The social • ʿInāyat-Allāh Beg • Washington Consensus • World Bank • Arabic linguistics • Algeria • Ottoman Classical Music • History of music in the Middle East • Society • Othering • Performance • International Monetary Fund • The state • South Asian Art • Imaginative geographies • Society as a whole • Parody • Dah-nāma • Hino Ashihei • Raghuvaṃśa • Iddhi • Tammām Ḥassān • Upaniṣad • Eznik of Kołb • ‘Three perfections’ • Orientalism • Japan and Okinawa • Made-in-Italy food • Globalisation • Japonisme • Ottoman History • ʿIshrat-nāma • Chinese rural-urban migrants • Nation-state • Linguistic taboo • Buddhism • Dolls as metaphors • Chinese literati • Chinese fansubbing • Funerary lament in ancient world • Mevlevî Dervishes • Debt Relief • Contemporary Chinese art • Non-professional translation • Taḏawwuq adabī • US-occupied Okinawa • Terayama Shūji • Methodius of Olympus • Kwanyin Clan • ʿAishī Shīrāzī • Indian Painting • Khalīl b • La figlia oscura • Western Travels History • Connected History & Global History • Transaction costs • Dervish Ceremonies • Adverse selection • Contemporary Japanese Literature • Colonial gaze • Connected History & Global History • Elena Ferrante • Self-rotation • Information asymmetry • Mode • Historical musicology • Didactics of Arabic to non-Arabic-speaking • Literature analysis • Rupture Movement • History of music in Central Asia • Contemporary Chinese literature • Shiraz • Modern Art Criticism • Chinese Values • Ernesto de Martino • Graffiti • Urban literature • Uzun Ḥasan • Xu Zechen • Chinese Middle-class Consumers • Japanese Cinema • Market economy • 3/11 Literature • Intellectual History • Abhiññā • Intermediality • Scholars’ network • Agricultural trade • Halo construct • History of Sufism • Takahashi Gen’ichirō • Dervishes • Correspondence • Identity • Maqām/makam/mughām • Textual Criticism • Mamluk period

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua en, fr, it

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