Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Parody • Intermediality • Tammām Ḥassān • ʿIshrat-nāma • Taḏawwuq adabī • Dolls as metaphors • Art Collecting • Shiraz • International Monetary Fund • Rupture Movement • Literature analysis • Urban literature • Connected History & Global History • Xu Zechen • Ernesto de Martino • Chinese rural-urban migrants • Civil society • ʿAishī Shīrāzī • Orientalism • Ottoman Classical Music • Takahashi Gen’ichirō • Intellectual History • Scholars’ network • Textual Criticism • Ajavilāpa • Mevlevî Ceremonies • Eznik of Kołb • Funerary lament in ancient world • Mamluk period • Ottoman History • Chinese fansubbing • Terayama Shūji • Maqām/makam/mughām • Chinese market • History of Sufism • US-occupied Okinawa • Gomorra-La serie • Graffiti • Linguistic taboo • Raghuvaṃśa • Manomaya-kāya • World Bank • Arabic language • Iddhi • Chinese literati • Non-professional translation • Khalīl b • Abhiññā • Aq-Quyūnlū • Agricultural trade • Society as a whole • The social • Imaginative geographies • ‘Three perfections’ • Chinese Middle-class Consumers • Washington Consensus • Made-in-Italy food • Japan and Okinawa • Correspondence • La figlia oscura • Japonisme • Sufi Music • South Asian Art • Algeria • Food piracy • Buddhism • Dervishes • Didactics of Arabic to non-Arabic-speaking • Elena Ferrante • Body • Connected History & Global History • Historical musicology • Mode • Hino Ashihei • History of music in Central Asia • Information asymmetry • Adverse selection • Western Travels History • The state • Dah-nāma • Indian Painting • Kwanyin Clan • Transaction costs • Contemporary Chinese art • Armenian Literature • Chinese Values • Inanimate objects in literature • Contemporary Chinese literature • Mevlevî Dervishes • Othering • Pāli • Debt Relief • Dervish Ceremonies • Methodius of Olympus • Identity • Euphemism • Self-rotation • ʿInāyat-Allāh Beg • Japanese Cinema • Colonial gaze • Fin-de-siècle Italy • Nation-state • Society • Uzun Ḥasan • Arabic linguistics • Nicolò Manucci • History of music in the Middle East • Market economy • Veda • Contemporary Japanese Literature • Performance • 3/11 Literature • Learning • Spectatorship • Halo construct • Upaniṣad • Italian sounding • Globalisation • Possessive Individualism • Modern Art Criticism

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua en, it, fr

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.