Annali di Ca’ Foscari. Serie orientale

56 | 2020

open access | peer reviewed

Keywords Teaching of Arabic • Wreckage • Ṣun‘allāh Ibrāhīm • MF Husain • Transnational debates • Standardization • Case-particles • Ottoman Empire • Musical instruments • Reading • Hindi • Indology • Digital database • Medieval Japan • Motivation • Voice • Narrativity • ‘Abd al-Raḥmān al-Ǧabartī • Hindi literature • Alfred Faraǧ • Bahmanī dynasty • Shared sacred sites • Classroom practice • Adaptation • Messenger motif • Marriage and women’s rights • Levantine baroque • LGBTQ • Script conversion • Icon painting • Art market • Cross-sectional study • Autobiography • Italian L1 learners • Chinese as a foreign language • Identity • Doxography • Dah-nāma • ʿIshrat-nāma • Chinese SLA • Heritage Learners • Mikohidari poetry • Professional Orientations • Post-Soviet regional security complex • Ukraine • Giorgio Damistra • Idiom teaching • War • Performative self • Tokenization • Fujiwara no Tameie • Japanese • Transcultural rewriting • Transitivity • Sacred geography • Travel • Hermeneutics • Contemporary Japanese history • Involuntary agent • Phonological awareness • Whole-part-whole method • Court-records • Museum of Oriental Art collection, Venice • Historiography • Learner corpus • Etymological elaboration • Analogies • Grammatical annotation • Testimoniality • Pakistan • Urdu • Contact zone • Language Ideologies • Sulaymān al-Ḥalabī • Aleppo • Homosexuality • Mathnawī • Sinan Antoon • Izayoi Nikki • Inclusivism • Russian Federation • Afghanistan • Pilgrimage • Hokusai’s illustrated books • Morphological structure awareness • Moldova • Vīraśaiva • Zakariyyā Tāmir • Feminist spatial quest • Teaching Arabic as a foreign language • Iraqi Novel • Territorial conflicts • Cultural translation • Moroccan Digital Newspapers • Authoriality • Vocabulary • Zhang Ailing • Theodoro Poulakis • Orthographic Norms • Queer • Chengyu • India • Anarchism history • Japanese prints • Chinese idioms • Modernism • Transnational history • Inhibitive transfer • Love in a Fallen City • Double-nominative constructions • South Asian regional security complex • Painting didactic • Nun Abutsu • Boundary symbols • Written Darija • Fortleben • French Colonial Vietnam • Conventionalization • Errico Malatesta • Appropriation • Indo-Islamic architecture • Thu Xu • Sanskrit • Formulaic sequences • ʿAishī Shīrāzī

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2020/01 | Published June 30, 2020 | Language it, en

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